Fang Hu ᱨᱮᱱᱟᱜ Zhu Xiaodi Solo Exhibitions Unlimited ᱢᱟᱨᱥᱟᱞ ᱠᱚᱨᱟᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱫᱚ ᱞᱟᱭᱴᱤᱝ ᱩᱛᱯᱟᱫ ᱟᱨ ᱯᱷᱤᱠᱥᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱞᱟᱭᱴᱤᱝ· 2021
Zhu Xiaodi Solo Exhibitions Unlimited ᱢᱟᱨᱥᱟᱞ ᱠᱚᱨᱟᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ
Fang Hu ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Beijing Puri Lighting Design Co.,LTD.
ᱞᱟᱭᱴᱤᱝ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#105450 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Zhu Xiaodi Solo Exhibitions Unlimited ᱢᱟᱨᱥᱟᱞ ᱠᱚᱨᱟᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱡᱩ ᱥᱤᱭᱟᱣᱫᱤ ᱥᱚᱞᱚ ᱮᱠᱥᱤᱵᱤᱥᱚᱱᱥ ᱟᱱᱞᱤᱢᱤᱴᱮᱰ ᱫᱚ ᱒᱐᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱮᱠᱥᱤᱵᱤᱥᱚᱱ ᱡᱟᱭᱜᱟ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱢᱟᱨᱥᱟᱞ ᱠᱚᱨᱟᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱠᱟᱱᱟ᱾ ᱯᱨᱚᱡᱮᱠᱥᱚᱱ ᱞᱮᱢᱯ ᱠᱚ ᱡᱷᱟᱸᱡᱽ ᱥᱤᱢᱟᱹ ᱟᱨ ᱵᱟᱝ ᱵᱤᱜᱲᱟᱹᱣ ᱥᱟᱶᱛᱮ ᱯᱷᱟᱨᱪᱟ ᱜᱟᱨ ᱩᱢᱩᱞ ᱠᱚ ᱚᱰᱚᱠᱟ᱾ ᱵᱟᱨ ᱤᱥᱤ ᱯᱩᱱ (᱒᱔) ᱞᱮᱢᱯ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱭᱩᱱᱤᱴ ᱞᱮᱠᱟᱛᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱭᱩᱱᱤᱴ ᱜᱟᱨ ᱠᱚ ᱛᱮ ᱜᱮᱨᱟᱣ ᱟᱠᱟᱱᱟ ᱟᱨ ᱡᱷᱟᱸᱡᱽ ᱫᱷᱟᱨ ᱥᱟᱶᱛᱮ ᱢᱤᱫ ᱵᱚᱞ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱠᱟᱸᱛᱷ, ᱪᱷᱟᱫ, ᱚᱛ ᱟᱨ ᱧᱮᱞ ᱦᱤᱡᱩᱜ ᱦᱚᱲ ᱠᱚ ᱮ ᱵᱚᱦᱮᱞ ᱟᱠᱟᱫ ᱠᱚᱣᱟ᱾ ᱡᱚᱛᱚ ᱞᱮᱢᱯ ᱯᱩᱨᱟᱹ ᱡᱩᱞᱚᱜ ᱚᱠᱛᱮ ᱚᱛ ᱨᱮᱭᱟᱜ ᱢᱟᱨᱥᱟᱞ ᱑᱕᱐ ᱞᱟᱠᱥ ᱦᱟᱹᱵᱤᱡ ᱮ ᱥᱮᱴᱮᱨᱚᱜᱼᱟ᱾ ᱢᱤᱫ ᱯᱨᱚᱜᱽᱨᱟᱢ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱜᱮᱞ ᱠᱷᱚᱱ ᱤᱨᱟᱹᱞ ᱜᱮᱞ ᱯᱨᱚᱛᱤᱥᱚᱛ ᱦᱟᱹᱵᱤᱡ ᱠᱚᱢ ᱵᱟᱲᱦᱟᱣ ᱮᱫᱟ, ᱚᱠᱟ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱥᱭᱟᱸᱦᱤ ᱪᱤᱛᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱵᱚᱫᱚᱞᱚᱜ ᱜᱩᱱ ᱮ ᱩᱭᱦᱟᱹᱨ ᱚᱪᱚᱜᱼᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Zhu Xiaodi Solo Exhibitions Unlimited ᱢᱟᱨᱥᱟᱞ ᱠᱚᱨᱟᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Zhu Xiaodi Solo Exhibitions Unlimited ᱢᱟᱨᱥᱟᱞ ᱠᱚᱨᱟᱣ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Light is the existence of waves. We should choose simple and pure light waves. Projection lamps can show the shadows clearly and purely in space with clear boundaries. The projection lamps accurately express our expectation of shadows without twist or distortion. What we need is this kind of "real expression". The viewers should see the original appearance of the object without being disturbed or influenced by various other factors, including the influence from light.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 2000 ㎡
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- After determining the light source, we launched the lamp tests. The next difficulty is how to cover the whole facade with shadows in the limited space. When the angle of a lamp is close to the maximum range, it still can’t be completely covered. We have created combined lamps located in the center of the space, with a total of 24 lamps, and the generated light completely covers the facade. The combined lamps are surrounded by lines and form an integral whole. They look like a "ball" and have sharp edges and corners. Lamp is the body of light, light is used by the lamp, and they are in one. Its light is just right, demonstrating the extraordinary parts of "Rongji".
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The actual condition is that the artist requires that the shadows of the lines can clearly cover a space of 10m * 10m * 10m without deformation, dark areas or overlapping of the shadow, especially at the turning point between the facade and the facade. Avoid the discomfort of direct glare to viewers, and they only feel the charm of light and shadow and will not notice the existence of lamps. Match the theme of "Chinese ink painting".
- ᱯᱨᱮᱨᱚᱱᱟ
- The Chinese ink painting is changeable, and no one can master its rules.
We discussed with artists how to use light to express inscrutability. Finally, we have determined a control mode, in which the light can fade in and out by ten to eighty percent through the program. The man-made inscrutability implies the changes of reality. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in October 2017 in Beijing and finished in January 2018 in Beijing, and was exhibited in Beijing in January 2009.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- When all the lamps are 100% lit, the ground illumination can reach 150LUX, and the true lines and the fake lines of the shadows integrating together, without any flaw. The lines appear on the facade, the top surface, the floor, every corner of the space, the viewer's face and body. As long as people enter the space, they are bound to be together with lines.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Fang Hu
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾