ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Fu Chu Hsu ᱨᱮᱱᱟᱜ Next 1 Landscape Design

Fu Chu Hsu ᱨᱮᱱᱟᱜ Next 1 Landscape Design ᱫᱚ ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ· 2021

Next 1 Landscape Design

Fu Chu Hsu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: G Design

ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#119979 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Next 1 Landscape Design ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: Next 1 ओका Taiwan re मित Taichung रेयाक 2300 वर्गमिटर घेराव्ग तेयाक बासा लैंडस्केप डिजाइन कान। ले-आउट अकतार रेखा आर सारेञ स्तर बागान बाबदाय आते ओका डोब़ोक ते डोब़ोक गहराइ रोड़ आ बाना काना। बेंगेत् लाहा सड़क सोमोय ते चालाक आर हाँटेच जायगा लाहान ओड़ाक आ। सारेञ-स्तर बागान चारि ऋतु रे बदलाव कान, आर सोरोल ठाहां जायगा रे दुड़ुब़ जायगा दोहो आकाना। फराक-फराक खोला जायगा, दोहराव सारेञ-स्तर बागान आर पानि ठावका माइक्रोक्लाइमेट सामालेच ते गड़ आर घर भितेर पोरोसेन आवश्यकता कमाक ते गड़ काना। एनेय डिजाइन ओड़ाक रे मानुष-लेखा गाँव लाहान परिबेस आना काना।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Next 1 Landscape Design ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Next 1 Landscape Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This project uses geometric linear frames and overlapping levels of depth of field design techniques, introduces the concept of contrast between virtual and reality, the beauty of ambiguous, outlines a unique artistic charm, creates a humanistic and artistic mixed residential, having rich exquisite abstract space aesthetics.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project is 2300 square meter.
ᱴᱮᱜ ᱠᱚ
Landscape, Garden Design, Design, Space, Planning
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
In response to the irregular corner-cutting space created by the surrounding natural environment of the site and the volume turning configuration of the building, the overall layout adopts a geometric linear method and a layered overlapping depth of field layout method.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The backyard space is a private space for residents, where the depth of the restricted base is short.The surrounding wall with the neighboring area makes the space more malleable and interesting through a large area of mirror reflection. The corner space will be decorated with geometric framed scenery and green spots. The stepped grass slopes and green scenery are set up, except for the gym.
ᱜᱚᱵᱮᱥᱚᱱᱟ
With the lowest impact land development method, the establishment of a friendly environment base configuration, leaving a large area of open space, using a large number of repeated layers of planting and pool settings, as a base to adjust the microclimate and save energy. Reduce the time of indoor lighting to achieve a friendly environment and ease the phenomenon of urban warmer temperature. At the same time, the humanistic aesthetics is put into the community in the form of a village in traditional life, forming a humanistic living environment that can be continued for future generations.
ᱯᱨᱮᱨᱚᱱᱟ
The humanistic aesthetics is put into the community in the form of a village in traditional life, forming a humanistic living environment that can be continued for future generations.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in September 2020 in Taichung, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The street surface uses a curve as a guide for the continuity of the moving line. The open space in this friendly and retreat shopping block, through the lingering geometric curves to soften and extend the walking space, with the multi-layer planting design that changes in four seasons, the simple and artistic seats, and the fashionable and interesting sharpie store’s sign with fashionable panda artworks, vaguely telling visitors to come to the fashion toy area for adults.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Fu-Chu Hsu
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1-5: Photographer Chi-Min Wu, Next 1, 2020.

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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