YunFen Wang ᱨᱮᱱᱟᱜ Interpreting Discomfort Tel Chित्रकला Sirij (Oil Painting Series) ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2022
Interpreting Discomfort Tel Chित्रकला Sirij (Oil Painting Series)
YunFen Wang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: YunFen Wang
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#136563 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Interpreting Discomfort Tel Chित्रकला Sirij (Oil Painting Series) ᱵᱟᱵᱚᱛ ᱛᱮ
ᱰᱤᱥᱠᱚᱢᱯᱷᱚᱨᱴ ᱠᱚ ᱵᱚᱭᱟᱹᱨ ᱢᱮᱱᱟᱜ-ᱟ ᱱᱚᱶᱟ ᱢᱤᱫ ᱛᱮᱞ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱨᱤᱡ ᱡᱟᱦᱟᱸ ᱱᱤᱡᱚᱨᱟᱜ ᱡᱟᱭᱜᱟ ᱟᱨ ᱥᱚᱢᱟᱡ ᱨᱮᱭᱟᱜ ᱫᱟᱵᱽ ᱵᱟᱵᱚᱛ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱠᱚ ᱨᱮ ᱛᱤ ᱟᱨ ᱢᱮᱫ ᱠᱚ ᱛᱮ ᱥᱟᱡᱟᱣ ᱠᱟᱱ ᱫᱮᱠᱷᱟᱣ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱦᱟᱹᱴᱤᱧ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱟᱹᱨᱟᱢ ᱵᱮᱲᱟ ᱚᱠᱛᱚ ᱠᱚ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱫᱟᱭᱟ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱚ ᱦᱚᱲ ᱠᱚ ᱠᱮ ᱱᱚᱰᱮ ᱟᱹᱰᱤ ᱦᱩᱰᱤᱧ ᱦᱩᱰᱤᱧ ᱮᱢ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ, ᱚᱱᱟ ᱛᱟᱦᱮᱸ ᱵᱟᱹᱲᱛᱤ ᱫᱷᱭᱟᱱ ᱦᱚᱸ ᱟᱹᱨᱟᱢ ᱵᱮᱲᱟ ᱠᱚ ᱮᱢ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱵᱟᱨᱭᱟ ᱴᱮᱠᱱᱤᱠ ᱡᱩᱲᱟᱹᱣ ᱠᱟᱱᱟ ᱾ ᱮᱴᱟᱜᱟᱜ ᱪᱤᱛᱟᱹᱨᱤᱭᱟᱹ ᱨᱮ ᱦᱚᱲᱚᱸ ᱟᱨ ᱯᱩᱱᱚᱸ ᱨᱚᱸᱜ ᱨᱮᱭᱟᱜ ᱚᱰᱚᱠ ᱛᱮᱭᱟᱨᱚᱜᱼᱟ ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱨᱚᱸᱜ ᱛᱮ ᱜᱞᱮᱡᱽ ᱠᱟᱛᱮ ᱠᱟᱴᱟᱣᱚᱜᱼᱟ ᱾ ᱡᱩᱴᱟᱹᱣᱮᱠᱚ ᱪᱤᱛᱟᱹᱨᱤᱭᱟᱹ ᱨᱮ ᱡᱩᱲᱟᱹᱣ ᱠᱟᱱ ᱨᱚᱸᱜ ᱮᱴᱟᱜᱟᱜ ᱛᱮ ᱩᱯᱨᱤ ᱨᱮ ᱠᱟᱴᱟᱣᱚᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱥᱤᱨᱤᱡ ᱠᱮᱱᱣᱟᱥ ᱟᱨ ᱫᱟᱨᱩ ᱯᱮᱱᱮᱞ ᱨᱮ ᱛᱮᱞ ᱨᱚᱸᱜ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱱᱚᱶᱟ ᱜᱮᱞᱮᱨᱤ ᱠᱚ ᱨᱮ ᱚᱰᱚᱠ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱡᱟᱠᱟᱛ ᱠᱟᱹᱛᱷᱟ ᱨᱮᱭᱟᱜ ᱮᱛᱦᱚᱵ ᱠᱷᱟᱛᱤᱨ ᱦᱩᱭᱩᱜᱼᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Interpreting Discomfort Tel Chित्रकला Sirij (Oil Painting Series) ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Interpreting Discomfort Tel Chित्रकला Sirij (Oil Painting Series) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
- ᱴᱮᱜ ᱠᱚ
- hands, eyes, oil painting, art, surrealism
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
- ᱯᱨᱮᱨᱚᱱᱟ
- The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- It will be displayed in a gallery, and these paintings can be a tool for conversation.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
