Vladimir Zagorac ᱨᱮᱱᱟᱜ Bio Armchair (ᱠᱩᱨᱥᱤ ᱠᱩᱨᱥᱤ) ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2022
Bio Armchair (ᱠᱩᱨᱥᱤ ᱠᱩᱨᱥᱤ)
Vladimir Zagorac ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Vladimir Zagorac
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#140098 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Bio Armchair (ᱠᱩᱨᱥᱤ ᱠᱩᱨᱥᱤ) ᱵᱟᱵᱚᱛ ᱛᱮ
ᱵᱭᱚ ᱢᱮᱱᱛᱮ ᱢᱤᱫ ᱴᱷᱮᱱ ᱠᱩᱨᱥᱤ ᱠᱩᱨᱥᱤ ᱠᱚ ᱨᱮᱭᱟᱜ ᱦᱚᱲᱢᱚ ᱡᱟᱦᱟᱸ ᱱᱤᱛᱚᱜ ᱡᱩᱜ ᱨᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱥᱮᱛᱮᱨ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚᱨᱟᱠᱟᱱᱟ᱾ ᱞᱩᱛᱩᱨ ᱚᱨᱟᱜ ᱠᱷᱩᱞᱟᱹᱭ ᱨᱮ ᱡᱟᱦᱟᱸ ᱠᱷᱩᱞᱟᱹ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱱᱟ ᱫᱟᱲᱮᱭᱟᱜ ᱟᱨ ᱫᱟᱨᱮ ᱠᱷᱚᱸᱱ ᱡᱟᱦᱟᱸ ᱨᱮᱭᱟᱜ ᱟᱠᱟᱨ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱵᱟᱦᱨᱮ ᱜᱮᱨᱮᱭ ᱞᱚᱜᱚᱱ ᱨᱮ ᱡᱟᱦᱟᱸ ᱟᱠᱟᱨ ᱵᱚᱫᱚᱞ ᱦᱩᱭᱩᱜᱼᱟ, ᱚᱱᱟ ᱠᱟᱞᱟ ᱟᱭᱛᱷᱤᱡᱚᱠᱩᱥ (Calla aethiopica) ᱨᱮᱭᱟᱜ ᱵᱟᱦᱟ ᱞᱮᱠᱟᱱ ᱟᱠᱟᱨ ᱛᱮ ᱵᱚᱫᱚᱞ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱜᱮᱨᱮᱭ ᱞᱚᱜᱚᱱ ᱴᱟᱰ ᱞᱮᱠᱟᱱ ᱚᱲᱟᱠ ᱠᱷᱚᱱ ᱚᱱᱚᱛᱮ ᱟᱨᱦᱚᱸ ᱚᱱᱚᱛᱮ ᱨᱟᱠᱟᱵᱚᱜᱼᱟ ᱟᱨ ᱢᱤᱫ ᱠᱷᱚᱱ ᱨᱮᱦᱚᱸ ᱮᱛᱚᱦᱚᱵᱚᱜᱼᱟ, ᱚᱱᱟᱛᱮ ᱢᱤᱫ ᱵᱟᱨᱟᱵᱟᱨ ᱵᱟᱝ ᱦᱩᱭ ᱟᱠᱟᱱ ᱟᱠᱟᱨ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱵᱟᱨᱟᱵᱟᱨ ᱵᱟᱝ ᱦᱩᱭ ᱠᱟᱱ ᱟᱠᱟᱨ ᱴᱮᱯᱚᱡ ᱚᱠᱟ ᱠᱚ ᱨᱮᱦᱚᱸ ᱟᱠᱟᱨ ᱨᱮᱭᱟᱜ ᱵᱟᱦᱨᱮ ᱜᱮᱨᱮᱭ ᱞᱚᱜᱚᱱ ᱠᱷᱚᱱ ᱚᱱᱟ, ᱚᱱᱟᱛᱮ ᱟᱨᱟᱢ ᱟᱨ ᱦᱚᱲᱢᱚ-ᱦᱚᱲᱚᱠᱚ ᱨᱮᱭᱟᱜ ᱡᱟᱛᱚᱱ ᱵᱟᱡᱟᱨ ᱛᱟᱦᱮᱸ ᱠᱚᱛᱟᱭ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱷᱚᱱ ᱢᱚᱞᱰᱮᱰ ᱛᱷᱟᱨᱢᱚᱯᱞᱟᱥᱴᱤᱠ, ᱥᱴᱤᱞ, ᱠᱟᱥᱴ ᱮᱞᱩᱢᱤᱱᱤᱭᱟᱢ, ᱥᱟᱞ ᱫᱟᱨᱮ ᱟᱨ ᱠᱟᱛᱟᱢ ᱛᱮ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Bio Armchair (ᱠᱩᱨᱥᱤ ᱠᱩᱨᱥᱤ) ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Bio Armchair (ᱠᱩᱨᱥᱤ ᱠᱩᱨᱥᱤ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Width / Depth: up to 680mm, Height: 849mm (medium)
- ᱴᱮᱜ ᱠᱚ
- Asymmetry, Natural, Bio-form, Growth, Stylization
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
- ᱯᱨᱮᱨᱚᱱᱟ
- Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project lasted one semester at the Faculty of Applied Arts in Belgrade.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Vladimir Zagorac
Mentor: Marko Lukovic - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Vladimir Zagorac, Faculty of Applied Arts in Belgrade
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