ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
So Koizumi ᱨᱮᱱᱟᱜ Seven ᱦᱚᱭ ᱜᱷᱚᱸᱴᱟ

So Koizumi ᱨᱮᱱᱟᱜ Seven ᱦᱚᱭ ᱜᱷᱚᱸᱴᱟ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2023

Seven ᱦᱚᱭ ᱜᱷᱚᱸᱴᱟ

So Koizumi ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: So Koizumi Design

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#145195 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Seven ᱦᱚᱭ ᱜᱷᱚᱸᱴᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱮᱭᱟᱭ ᱫᱚ ᱴᱮᱱᱥᱮᱜᱽᱨᱤᱴᱤ ᱵᱮᱱᱟᱣ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ᱱᱟᱶᱟ ᱵᱮᱱᱟᱣ ᱥᱟᱶ ᱢᱤᱫ ᱦᱚᱭ ᱜᱷᱚᱸᱴᱟ ᱠᱟᱱᱟ᱾ ᱱᱤᱛᱚᱜᱟᱜ ᱥᱮᱨᱢᱟ ᱠᱚᱨᱮ ᱵᱟᱝ ᱴᱷᱤᱨ ᱥᱟᱶᱛᱟᱣᱟᱨᱤ ᱦᱚᱭ ᱦᱤᱥᱤᱫ ᱛᱮ, ᱦᱚᱲ ᱠᱚ ᱫᱚ ᱴᱷᱤᱨᱚᱜ ᱟᱨ ᱪᱤᱱᱛᱟ ᱛᱟᱞᱟᱨᱮ ᱚᱠᱟ ᱚᱠᱛᱚ ᱪᱟᱞᱟᱜ ᱠᱟᱱᱟ᱾ ᱴᱮᱱᱥᱮᱜᱽᱨᱤᱴᱤ ᱵᱮᱱᱟᱣ ᱫᱚ ᱚᱱᱟ ᱵᱮᱱᱟᱣ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱱᱤᱛᱚᱜᱟᱜ ᱥᱟᱶᱛᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱴᱷᱟᱹᱱ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱛᱤᱨᱤᱝ ᱠᱟᱱ ᱟᱨ ᱴᱷᱤᱨ ᱧᱮᱞᱚᱜ-ᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱦᱚᱭ ᱞᱮᱠᱟᱱ ᱵᱟᱦᱨᱮ ᱫᱟᱲᱮ ᱠᱚ ᱫᱚ ᱥᱚᱢᱚᱛᱚᱞ ᱫᱚᱦᱚ ᱞᱟᱹᱜᱤᱫ ᱱᱚᱶᱟ ᱪᱚᱞᱚᱱ ᱠᱚᱭᱟ᱾ ᱱᱚᱶᱟ ᱪᱚᱞᱚᱱ ᱫᱚ ᱥᱟᱰᱮ ᱛᱮ ᱵᱚᱫᱚᱞ ᱠᱟᱛᱮ, ᱱᱚᱶᱟ ᱡᱟᱜᱟ ᱨᱮ ᱜᱩᱸᱡᱟᱹᱨᱚᱜ-ᱟ ᱟᱨ ᱢᱟᱦᱟᱸᱛ ᱡᱤᱭᱚᱱ ᱨᱮ ᱨᱟᱹᱯᱩᱫ ᱟᱨ ᱨᱚᱝ ᱥᱮᱞᱮᱫᱚᱜ-ᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Seven ᱦᱚᱭ ᱜᱷᱚᱸᱴᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Seven ᱦᱚᱭ ᱜᱷᱚᱸᱴᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Seven is a wind chime with a new structure utilizing tensegrity structure.
In the unstable social climate of recent years, people are constantly moving between stability and anxiety.
The tensegrity structure is the structure that embodies current society.
it appears to be floating and stable, but external forces such as wind cause it to sway in order to maintain equilibrium.
By converting this swaying into sound, it resonates through space and adds healing and color to daily life.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width:195φ
Height:215mm
ᱴᱮᱜ ᱠᱚ
wind chime, tensegrity, Between Stability and Anxiety, brass
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
All parts of "Seven" are made of brass, and they are exquisitely balanced.
To maintain the balance, a high level of precision was required.
Therefore, the product was manufactured in Takaoka, Toyama Prefecture, which is famous for its metalworking.
One of the characteristics of Takaoka's manufacturing is the division of labor.
The production of this product was made possible by the concentration of the technical capabilities of specialists in various fields
such as casting, bending, and welding, including SANOMASA factory, which took overall command of the production this time.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
One is the study that led to this modeling.
The other is that this wind chime stands on its own with a very delicate balance, so precise technical skill was required for every component.
ᱜᱚᱵᱮᱥᱚᱱᱟ
First, we looked at everyday situations and clarified concepts from daily observations.
Next, we researched the tensegrity structure that embodied this concept and deepened our understanding through repeated experiments.
Then, he examined hundreds of times the shape of the form that would allow it to function as a wind chime.
Finally, we searched for a company that could accurately manufacture the design, deepened close communication, and completed the project over time.
ᱯᱨᱮᱨᱚᱱᱟ
This project started as part of an independent project under the theme of "Between stability and anxiety. In the unstable social
climate of recent years, people and society are constantly moving between stability and anxiety.
I believe that the tensegrity structure is a structure that hovers between stability and anxiety, embodying contemporary society, and that there is something.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in September 2021 and completed in August 2022.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Although the tensegrity structure makes it appear to be stable while floating, external forces such as wind cause it to sway in order to maintain equilibrium.
By converting this swaying into sound, the sound resonates through the space and adds healing and color to daily life.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
So Koizumi

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ