ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Siqi Yang ᱨᱮᱱᱟᱜ Spidique ᱪᱮᱭᱟᱨ

Siqi Yang ᱨᱮᱱᱟᱜ Spidique ᱪᱮᱭᱟᱨ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2024

Spidique ᱪᱮᱭᱟᱨ

Siqi Yang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Yang Siqi

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#154548 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Spidique ᱪᱮᱭᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Spidique ᱫᱚ ᱢᱤᱫ ᱪᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱚᱠᱟ ᱫᱚ PLA ᱨᱮ 3D ᱪᱷᱟᱯᱟ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ Spidique ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱫᱚ Ameba ᱥᱚᱯᱷᱴᱣᱮᱨ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱚᱠᱟ ᱫᱚ ᱴᱚᱯᱚᱞᱚᱡᱤᱠᱟᱞ ᱚᱯᱴᱤᱢᱟᱭᱡᱮᱥᱚᱱ ᱞᱟᱹᱜᱤᱫ BESO ᱟᱹᱞᱜᱚᱨᱤᱫᱚᱢ ᱮ ᱵᱮᱵᱷᱟᱨᱟ᱾ ᱦᱤᱥᱟᱹᱵ ᱟᱠᱟᱱ ᱨᱩᱯ ᱫᱚ ᱮᱨᱜᱚᱱᱚᱢᱤᱠᱥ ᱟᱨ ᱧᱮᱞ ᱡᱚᱠᱷᱚᱱ ᱥᱩᱜᱟᱹᱲ ᱦᱩᱭᱩᱜ ᱞᱟᱹᱜᱤᱫ ᱰᱤᱡᱟᱭᱤᱱ ᱴᱤᱢ ᱦᱚᱛᱮᱛᱮ ᱟᱨᱦᱚᱸ ᱥᱟᱯᱲᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱧᱮᱞᱚᱜ ᱟᱨ ᱢᱮᱠᱟᱱᱤᱠᱥ ᱛᱟᱞᱟᱨᱮ ᱡᱚᱠᱷᱟ ᱫᱚᱦᱚ ᱞᱟᱹᱜᱤᱫ ᱯᱟᱛᱞᱟ ᱜᱟᱨ ᱠᱚ ᱫᱚ ᱥᱴᱨᱚᱠᱪᱚᱨ ᱥᱟᱶ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱯᱨᱚᱴᱚᱴᱟᱭᱤᱯ ᱠᱚ ᱪᱷᱟᱯᱟ ᱟᱠᱟᱱᱟ ᱟᱨ ᱟᱹᱨᱟᱹᱢ ᱟᱨ ᱫᱤᱱᱟᱹᱢ ᱛᱤᱱᱟᱹᱜ ᱛᱟᱦᱮᱸᱱᱟ ᱚᱱᱟ ᱞᱟᱹᱜᱤᱫ ᱵᱤᱰᱟᱹᱣ ᱟᱠᱟᱱᱟ᱾ Spidique ᱨᱮᱭᱟᱜ ᱩᱫᱮᱥ ᱫᱚ ᱠᱚᱢ ᱯᱞᱟᱥᱴᱤᱠ ᱟᱨ ᱠᱚᱢ ᱡᱤᱱᱤᱥ ᱤᱥᱨᱟᱹᱭ ᱛᱮ ᱞᱟᱹᱠᱛᱤᱭᱟᱱ ᱠᱟᱹᱢᱤ ᱥᱮᱴᱮᱨ ᱪᱟᱞᱟᱣ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Spidique ᱪᱮᱭᱟᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Spidique ᱪᱮᱭᱟᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Spidique is a chair manufactured using 3D printing technology. Its shape calculation and design were carried out using the Ameba software, which employs the BESO (Bidirectional Evolutionary Structural Optimization) algorithm for topological optimization. A primary challenge during the design process was how to further optimize and redesign the computed chair shape.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
808.56mm x 750.57mm x 799.28mm
ᱴᱮᱜ ᱠᱚ
Parametric design, future, 3D printing,Innovative furniture,industrial design, modern design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
3D printing technology, PLA
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Navigating the optimization of the chair's computed shape posed a significant challenge. Historically, chair designs have been a blend of functionality and aesthetics, crafted over centuries of human experience. Today's social perspective demands both comfort and sustainability. While computation provides precise design outcomes, it sometimes lacks the human touch essential for ergonomics and visual appeal. External factors, such as production constraints, also influenced design choices. Moreover, with evolving technology, leveraging the right tools for accurate simulations was paramount. Bridging this gap between computational efficiency and human-centric design was the crux of my challenge.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This design research focuses on the application of 3D printing technology in furniture manufacturing, aiming to explore its potential impact on innovation and environmental sustainability. I employed a comparative analysis, contrasting the efficiency, material usage, and environmental footprint between traditional furniture production and 3D printed furniture. Data collection primarily relied on surveys involving 20 furniture designers and 100 general consumers, and we also crafted a series of prototypes using CAD software and 3D printers. The results revealed that 3D printing technology can reduce material waste by approximately 25% and shorten production time by about 30% in furniture manufacturing. This discovery underscores the significant innovation opportunities 3D printing introduces to the furniture design industry, while also presenting a reduced environmental impact. In real-life implications, this suggests that the furniture sector is on the cusp of a transformative shift, which could not only stimulate commercial growth but also reshape consumption patterns and innovative thinking in the design world.
ᱯᱨᱮᱨᱚᱱᱟ
Plastic's introduction has drawn both praise and criticism. Its unmatched convenience makes it indispensable, but its environmental impact is concerning. In my opinion, plastic's eco-impact largely rests on our handling. When recycled efficiently, its harm lessens. Moreover, achieving design goals with minimal plastic material signifies sustainable design. Inspired by this, I'm developing a plastic-based design, leveraging simulations for structural support. Merging elegant lines into the chair's design, I aim to balance aesthetics with mechanics.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
from February 2022 to September 2023.
Chengdu, Sichuan,China
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Operation:
1. Initialize the algorithm with set parameters.
2. Run the algorithm to get the initial chair design.
3. Designers evaluate the computer-generated model.

Process:
1. Refine the model post-review, emphasizing ergonomics.
2. Create a prototype, using methods like 3D printing.
3. Test the prototype's comfort and durability.
4. Analyze feedback, refine the design as needed, and repeat until optimal.

Interaction:
1. Designers input parameters and refine the algorithm's output.
2. Physical prototypes help designers assess design quality.
3. End-users test the chair, providing comfort and usability feedback.
4. Designers work with the production team to ensure the design is production-ready.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1:creator Yang Siqi ,2023
Image #2: Model Yang Siqi , 2023
Image #3: Model Yang Siqi , 2023
Image #4: creator Yang Siqi ,2023
Image #4: creator Yang Siqi ,2023

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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