Ariel Sliwinski ᱨᱮᱱᱟᱜ Move ᱠᱩᱨᱥᱤ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2024
Move ᱠᱩᱨᱥᱤ
Ariel Sliwinski ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Ariel Śliwiński Studio
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#156196 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Move ᱠᱩᱨᱥᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱢᱩᱣ ᱢᱮᱱᱠᱷᱟᱱ ᱢᱤᱫ ᱠᱩᱨᱥᱤ ᱡᱟᱦᱟᱸ ᱵᱟᱭᱫᱤ ᱠᱟᱱᱟ ᱦᱚᱲ ᱚᱲᱟᱜ ᱨᱩᱯ ᱟᱨ ᱮᱨᱜᱚᱱᱚᱢᱤᱠ ᱛᱟᱦᱮᱸ ᱠᱚ ᱥᱟᱶᱛᱮ ᱵᱮᱵᱮᱦᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱾ ᱚᱛᱟᱭ ᱾ ᱚᱛᱟᱭ ᱴᱷᱟᱶ ᱵᱟᱭᱫᱤ ᱟᱠᱟᱱ ᱠᱚᱱᱚᱢ ᱠᱟᱹᱴᱤ ᱢᱮᱱᱠᱷᱟᱱ, ᱡᱟᱦᱟᱸ ᱨᱮᱱᱟᱜ ᱴᱷᱟᱶ ᱫᱟᱸᱲᱟᱢ ᱠᱟᱹᱴᱤ ᱮᱢ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ, ᱟᱨ ᱚᱴ ᱥᱟᱦᱴᱟ ᱵᱟᱨ ᱴᱷᱟᱶ ᱨᱮ ᱞᱠᱟᱨᱟᱠᱟᱱ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱞᱟᱹᱜᱤᱫ ᱚᱴ ᱥᱟᱦᱴᱟ ᱨᱮᱭᱟᱜ ᱚᱛᱟᱭ ᱟᱨ ᱵᱟᱭᱫᱤ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱚᱛᱟᱭ ᱨᱮ ᱢᱤᱫ ᱯᱨᱮᱥᱟᱨ ᱥᱮᱱᱥᱚᱨ ᱡᱚᱲᱟᱣ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱴᱷᱤᱨ ᱟᱠᱟᱱ ᱚᱠᱛᱚ ᱚᱰᱚᱠ ᱛᱟᱭᱚᱢ ᱨᱮᱭᱟᱜ ᱵᱟᱫ ᱠᱚᱨᱚᱸᱴᱤᱡ ᱛᱮᱭᱟᱜ ᱦᱩᱭᱩᱜ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱵᱮᱵᱮᱦᱟᱨᱤᱭᱟᱹ ᱜᱮ ᱩᱰᱩᱜ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱢᱮ ᱢᱮᱱᱼᱠᱷᱟᱱ ᱮᱢ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱟᱹᱰᱤ ᱵᱟᱸᱫᱚᱨᱟᱹ ᱟᱠᱟᱱ ᱮᱞᱩᱢᱤᱱᱤᱭᱟᱢ ᱛᱮ ᱴᱷᱟᱲᱠᱟᱭ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱯᱩᱨᱟᱹᱣ ᱛᱮ ᱨᱤᱥᱟᱭᱠᱚᱞᱰ ᱠᱟᱱ ᱟᱭᱛᱟᱹᱨ ᱛᱮ ᱵᱮᱵᱮᱦᱟᱨᱟᱠᱟᱱᱟ, ᱟᱨ ᱚᱛᱟᱭ, ᱚᱴ ᱥᱟᱦᱴᱟ ᱟᱨ ᱟᱨᱚᱢᱨᱮᱥ ᱠᱚ ᱞᱟᱹᱛᱟᱨ-ᱟᱠᱥᱤᱥ ᱢᱤᱞᱰ ᱠᱚᱨᱠ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾ ᱢᱩᱣ ᱠᱚ ᱵᱮᱵᱮᱦᱟᱨᱤᱭᱟᱹ ᱡᱟᱛᱮ ᱡᱚᱲᱟᱣ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱟᱨ ᱯᱚᱴᱚᱲ ᱵᱟᱠᱥ ᱨᱮ ᱠᱩᱞ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱠᱟᱨᱵᱚᱱ ᱯᱩᱴᱠᱟᱹᱨ ᱠᱚ ᱠᱚᱢ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Move ᱠᱩᱨᱥᱤ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Move ᱠᱩᱨᱥᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 550mm x 515mm x 740mm
- ᱴᱮᱜ ᱠᱚ
- ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
- ᱯᱨᱮᱨᱚᱱᱟ
- The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- the project started in April 2023 in Poland
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
