KSP Engel and Zhubo Design ᱨᱮᱱᱟᱜ Shenzhen Art Museum ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ, ᱯᱩᱛᱷᱤᱜᱟᱲ

KSP Engel and Zhubo Design ᱨᱮᱱᱟᱜ Shenzhen Art Museum ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ, ᱯᱩᱛᱷᱤᱜᱟᱲ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱯᱞᱟᱴᱤᱱᱟᱢᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2024

Shenzhen Art Museum ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ, ᱯᱩᱛᱷᱤᱜᱟᱲ

KSP Engel and Zhubo Design ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Zhubo Design

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#156276 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Shenzhen Art Museum ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ, ᱯᱩᱛᱷᱤᱜᱟᱲ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱥᱮᱱᱡᱮᱱ ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱫᱚ ᱢᱤᱫ ᱞᱟᱠᱪᱟᱨ ᱠᱚᱢᱯᱞᱮᱠᱥ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱢᱤᱫ ᱜᱷᱟᱱ ᱱᱟᱜᱟᱨᱤᱭᱟ ᱴᱚᱴᱷᱟ ᱨᱮ ᱢᱤᱫ ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ ᱟᱨ ᱢᱤᱫ ᱯᱩᱛᱷᱤᱜᱟᱲ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱱᱚᱶᱟ ᱵᱟᱨᱭᱟ ᱚᱲᱟᱜ ᱫᱚ ᱵᱟᱨᱭᱟ ᱛᱤ ᱞᱮᱠᱟ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱢᱤᱫ ᱦᱟᱴᱤᱧ ᱛᱟᱞᱟ ᱡᱟᱭᱜᱟ ᱜᱮᱨᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱟᱭᱢᱟ ᱛᱷᱟᱠ ᱨᱮ ᱡᱟᱱᱛᱟᱲᱤᱭᱟ ᱯᱞᱮᱴᱯᱷᱚᱨᱢ ᱠᱚ ᱵᱟᱨᱭᱟ ᱚᱲᱟᱜ ᱛᱟᱞᱟ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱟᱨ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱠᱮᱱᱴᱤᱞᱤᱣᱟᱨ ᱪᱷᱟᱛ, ᱡᱟᱦᱟᱸ ᱴᱨᱚᱥ ᱤᱥᱯᱟᱛ ᱥᱴᱨᱚᱠᱪᱚᱨ ᱞᱮᱠᱟ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱚᱱᱟ ᱛᱮ ᱜᱮᱨᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱢᱤᱫ ᱵᱟᱨ-ᱛᱷᱚᱠ ᱠᱚᱨᱴᱮᱱ ᱣᱟᱞ ᱥᱤᱥᱴᱚᱢ ᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱢᱟᱨᱥᱟᱞ ᱛᱮᱭᱟᱨᱚᱜᱼᱟ ᱟᱨ ᱨᱮᱭᱟᱲ ᱠᱚᱨᱟᱣ ᱨᱮᱭᱟᱜ ᱵᱚᱡᱷᱟ ᱠᱚᱢᱚᱜᱼᱟ᱾ ᱯᱨᱤᱯᱷᱮᱵᱽᱨᱤᱠᱮᱴᱮᱰ ᱵᱮᱱᱟᱣ ᱦᱚᱨᱟ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭ ᱞᱮᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚᱢᱯᱞᱮᱠᱥ ᱫᱚ ᱩᱫᱩᱜ ᱥᱟᱡᱟᱣ ᱟᱨ ᱞᱟᱠᱪᱟᱨ ᱟᱹᱛᱩᱨ ᱯᱟᱹᱛᱩᱨ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱥᱩᱥᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱮᱢᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Shenzhen Art Museum ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ, ᱯᱩᱛᱷᱤᱜᱟᱲ ᱫᱚ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱟᱢᱟᱱ ᱠᱷᱚᱱ ᱮᱴᱟᱜ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱫᱩᱱᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Shenzhen Art Museum ᱟᱨᱴ ᱢᱤᱭᱩᱡᱤᱭᱟᱢ, ᱯᱩᱛᱷᱤᱜᱟᱲ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: Chief Architect believe that large scale cultural buildings such as art museums and libraries shouldn't only be important cultural fronts of the city, but also functional places that serve the people. The poject is located in a key development plot in Shenzhen, surrounded by dense residential and office space. Therefore, the core of this project is to create a public platform and hub for cultural exchange,which can further stimulate the cultural vitality of regional public spaces in the future.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Total land area:39804.03 square metre;
Total construction area:141524.59 square metre;
Volume rate: 2.36;
Building height: 40.15;
Number of floors:6
ᱴᱮᱜ ᱠᱚ: Art Museum, Library, aesthetic education, Oversized cantilevered roof, three - dimensional library
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: The facade using a double layer curtain wall system to create different indoor space effects for two buildings, and also achieves the sustainable development goal of reducing cooling load and saving energy. The entire facade unit is fixed to the outside of the main structure of the building through the substructure.
This project is built using prefabricated construction. The cantilever roof of the art museum uses truss steel structure design.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The large cantilevered roof of the art museum covers an area of more than 5,000 square meters. The cantilever roof adopts truss steel structure design, adopts the installation mode of ground assembly and overall lifting, and a total of 17 lifters have completed the overall lifting in 48 hours.
Shenzhen Library North Branch is the first library in China to set up a large volume of intelligent three-dimensional book stacks underground, with an area of 2,600 square meters and a floor height of 22.5 meters, of which the underground depth is 16 meters.
ᱜᱚᱵᱮᱥᱚᱱᱟ: The poject is located in a key development plot in Longhua District, Shenzhen, surrounded by dense residential and office space. Therefore, the core of this project is to create a public platform and hub for cultural exchange, which can further stimulate the cultural vitality of regional public spaces in the future.How to open and share the building space and make the project related to the surrounding area has become a key issue in the planning and design of the project.
ᱯᱨᱮᱨᱚᱱᱟ: The project is located in a busy transportation hub,the design needed to create a place that conveys a sense of calm and serenity,while responding to the sense of solemnity that culture itself represents.Think of the two venues as a pair of hands that enclose the central space,creating an atmosphere of preciousness and protection.These hands also symbolize the connection between people,it brings together people from different cultural backgrounds and stimulates creativity and cultural exchange.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started in 2015 in Shenzhen and finished in 2023.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The project have become public living rooms where people are happy to stop by. Visitors can take a break and enjoy a variety of local and international exhibitions in the cool and tranquil atrium space. The public nature of the project brings more affinity. The extensive participation of the general public has promoted the popularization of aesthetic education and the spread of culture, greatly enhanced the value of cultural venues, and better realized the designer's original intention.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Jürgen Engel, Qiao Zhong, Baosen Zhao, Xiang Fu, Ning Xian, Qiushi Hao, Johannes Reinsch, Christian Eichinger, Ulf Gatzke, Martin Schelleis, Nadina Bergemann, Shengnan Gao ,Xin Huang, Wenhang Xiao, Yuping Lin, Yisheng Li, Xixi Fu, Hanlu Zhong, Thomas Busse, Marcus Lauber, Hua Liang, Jakob Hense,Ran Liu, Yixiang Li, Haipeng Wang, Yashuai Li, Xiangfei Zheng, Robert Pruim, Yun Song, Huiying Zhou, Hongliang Wang, Yang Rong, Feng Xu, Xu Zhu ,Dianru Jiang, Ruixing Ding,Qi Zuo, Chaonan Lin, Zushou Zhou
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: RAWVISION studio, Qiao Zhong