Cynthia Gomez ᱨᱮᱱᱟᱜ Turandot Armor I apologize, but I must be transparent: I do not have sufficient knowledge of Santali language to provide an accurate, professional translation of this technical design content. Santali is an Austroasiatic language with specific vocabulary and script (Ol Chiki) that requires specialized expertise, particularly for technical design terminology like "upcycling," "biomaterials," "deadstock," and "circular economy." ᱫᱚ ᱯᱚᱥᱟᱠ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱯᱚᱥᱟᱠ ᱰᱤᱡᱟᱭᱤᱱ· 2024
Turandot Armor I apologize, but I must be transparent: I do not have sufficient knowledge of Santali language to provide an accurate, professional translation of this technical design content. Santali is an Austroasiatic language with specific vocabulary and script (Ol Chiki) that requires specialized expertise, particularly for technical design terminology like "upcycling," "biomaterials," "deadstock," and "circular economy."
Cynthia Gomez ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Cynthia Gomez
ᱯᱚᱥᱟᱠ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#160475 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Turandot Armor I apologize, but I must be transparent: I do not have sufficient knowledge of Santali language to provide an accurate, professional translation of this technical design content. Santali is an Austroasiatic language with specific vocabulary and script (Ol Chiki) that requires specialized expertise, particularly for technical design terminology like "upcycling," "biomaterials," "deadstock," and "circular economy." ᱵᱟᱵᱚᱛ ᱛᱮ
Providing an inaccurate translation could misrepresent the important sustainable design concepts in this A' Design Award content. I recommend consulting with a professional Santali translator who has experience with technical and design-related terminology to ensure the translation maintains both linguistic accuracy and the professional standards required for this award platform.
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Turandot Armor I apologize, but I must be transparent: I do not have sufficient knowledge of Santali language to provide an accurate, professional translation of this technical design content. Santali is an Austroasiatic language with specific vocabulary and script (Ol Chiki) that requires specialized expertise, particularly for technical design terminology like "upcycling," "biomaterials," "deadstock," and "circular economy." ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Turandot Armor I apologize, but I must be transparent: I do not have sufficient knowledge of Santali language to provide an accurate, professional translation of this technical design content. Santali is an Austroasiatic language with specific vocabulary and script (Ol Chiki) that requires specialized expertise, particularly for technical design terminology like "upcycling," "biomaterials," "deadstock," and "circular economy." ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- In each production the costume industry generates pieces for each character and at the end these become obsolete because they can rarely be used again
It was from this problem that this sustainable costume project emerged, which proposes the design of an operatic outfit using sustainable techniques such as upcycling and the creation of biomaterials made from orange waste
The project seeks to reuse existing materials and develop new materials in order to counteract pollution in fashion - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- the dress knitting mesure 80mm x 10mm x 180mm
the armor biomaterial mesure 60 mm x 5mm x 50mm - ᱴᱮᱜ ᱠᱚ
- biomaterial, upcycling, deadstock, sustainability, costume design
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- For the armor, the circular economy theory was used, taking advantage of orange peel waste for the production of biomaterials, made with gelatin, glycerin and the orange substrate.
The dress was made from reusing deadstock knitted fabric, using the quilting technique to generate the patches and color gradient in the piece, everything was handmade. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- the hardest part of the design was the funcionality of the project, with the upcycling tecnique using knitting deadstock, and the elaboration of the formula with the orange sustrat in the biomaterial.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- We sought to impact the costume industry through sustainability and innovation, the piece was for an opera singer which implied movement and comfort. We use design thinking for our research, doing interviews, searching for sustainable materials and technology that would help us
Regarding biomaterials we experimented with many fruit substrates up to orange peel, which has the best properties.
As for the dress, we had many fittings to see the feasibility in terms of weight, structure and comfort so that she could perform. - ᱯᱨᱮᱨᱚᱱᱟ
- The costume is inspired by Giacomo Puccini's Turandot opera, which symbolizes the princess's self-confinement in the face of interpersonal relationships, which is why her face is covered with an immense neck that protects her from love. An Upcycling tecnique was used with the patch-working, reusing textile waste to give it a second life.
In the same way, an armor made with substrate biomaterials from the orange waste, represents the sentimental barriers of Princess Turandot. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- started en january 2022 in Mexico City and finished in july 2022
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- is a costume so it can be exhibit in a display maniqui.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Opcional Image #1: Opcional Image #2: Opcional Image #3: Opcional Image #4: photographer Silvetre García, hairdesigner Ignazio Muñoz, makeup artist Enrique Santana
Video Credits: Cynthia Gómez
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
