Lampo Leong and Yanxiu Zhao ᱨᱮᱱᱟᱜ Icy Fire ᱯᱩᱨᱟᱹᱣ ᱰᱤᱡᱤᱴᱟᱹᱞ ᱠᱚᱞᱟ ᱵᱚᱥᱟᱣ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2025
Icy Fire ᱯᱩᱨᱟᱹᱣ ᱰᱤᱡᱤᱴᱟᱹᱞ ᱠᱚᱞᱟ ᱵᱚᱥᱟᱣ
Lampo Leong and Yanxiu Zhao ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Unversity of Macau Centre for Arts and Design
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#164410 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Icy Fire ᱯᱩᱨᱟᱹᱣ ᱰᱤᱡᱤᱴᱟᱹᱞ ᱠᱚᱞᱟ ᱵᱚᱥᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱱᱚᱶᱟ ᱯᱩᱨᱟᱹᱣ ᱵᱚᱥᱟᱣ ᱨᱮ, ᱣᱤᱰᱤᱭᱳ ᱞᱟᱦᱟ ᱥᱮᱱᱚᱜ ᱞᱮᱠᱷᱟᱱ ᱨᱚᱝ ᱯᱮᱞᱮᱴ ᱴᱷᱚᱸᱰᱟ ᱠᱷᱚᱱ ᱨᱟᱹᱯᱩᱫ ᱨᱚᱝ ᱛᱮ ᱵᱚᱫᱚᱞᱚᱜ-ᱟ, ᱡᱟᱦᱟᱸ ᱫᱷᱟᱹᱨᱛᱤ ᱨᱟᱹᱯᱩᱫᱚᱜ ᱨᱮᱭᱟᱜ ᱫᱩᱠᱷᱟᱹᱲᱤᱭᱟᱹ ᱚᱨᱥᱚᱝ ᱫᱚᱦᱚᱭᱟ᱾ ᱢᱮᱱᱠᱷᱟᱱ, ᱣᱤᱰᱤᱭᱳ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱚᱞ ᱫᱚᱦᱲᱟ ᱛᱮ ᱡᱚᱢᱚᱜ ᱫᱚ ᱢᱤᱫ ᱴᱟᱝ ᱟᱥᱟ ᱮᱢᱟ, ᱡᱟᱦᱟᱸ ᱢᱟᱹᱱᱢᱤ ᱨᱮᱭᱟᱜ ᱥᱟᱶᱛᱟ ᱠᱩᱨᱩᱢᱩᱴᱩ ᱨᱮᱭᱟᱜ ᱫᱟᱲᱮ ᱫᱚᱦᱚᱭᱟ᱾ ᱥᱟᱹᱨᱤ ᱥᱤᱭᱟᱹᱦᱤ ᱪᱤᱛᱟᱹᱨ ᱥᱟᱶ ᱡᱟᱹᱛᱤᱭᱟᱹᱨᱤ ᱵᱟᱹᱛᱤ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱵᱤᱪᱟᱹᱨ ᱨᱮᱭᱟᱜ ᱱᱚᱶᱟ ᱥᱤᱨᱡᱚᱱᱟᱹᱛ ᱢᱮᱥᱟ ᱫᱚ ᱯᱟᱹᱨᱩᱠᱷᱤᱭᱟᱹ ᱥᱤᱭᱟᱹᱦᱤ ᱠᱚᱞᱟ ᱫᱚ ᱱᱟᱶᱟ ᱚᱠᱛᱚ ᱠᱚᱞᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮ ᱞᱟᱦᱟᱭᱟ, ᱰᱤᱡᱤᱴᱟᱹᱞ ᱡᱩᱜᱽ ᱨᱮ ᱪᱟᱭᱱᱤᱡᱽ ᱥᱤᱭᱟᱹᱦᱤ ᱨᱮᱭᱟᱜ ᱡᱤᱣᱤᱫ ᱫᱟᱲᱮ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Icy Fire ᱯᱩᱨᱟᱹᱣ ᱰᱤᱡᱤᱴᱟᱹᱞ ᱠᱚᱞᱟ ᱵᱚᱥᱟᱣ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Icy Fire ᱯᱩᱨᱟᱹᱣ ᱰᱤᱡᱤᱴᱟᱹᱞ ᱠᱚᱞᱟ ᱵᱚᱥᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The color palette shifts from cool to warm tones, symbolizing the distressing effects of global warming, yet the re-freezing of the text at the end of the video offers a glimmer of hope, signifying the potential impact of our collective efforts. The unique fusion of traditional ink painting with the concept of environmental consciousness propels classical ink art into the domain of contemporary art, showcasing the vitality of Chinese ink in the digital era.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This is an immersive installation with digital ink generative video art projection on one wall with acrylic mirrors on the other three walls, as well as ceiling and floor. The dimension of the installation is 5.3m x 3m x 4m.
- ᱴᱮᱜ ᱠᱚ
- Digital Video Art, Immersive Installation, Contemporary Ink, Interactive Installation
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- This work began by hand-painted ink paintings on rice-paper. Next, converted these physical artworks into digital images using a high-resolution scanner. Finally, TouchDesigner is used to create dynamic movements, blending traditional techniques with digital elements to achieve an immersive installation beyond classical painting.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Transformation of classical and contemporary ink painting techniques into postmodern digital video art and immersive installation.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The color palette shifts from cool to warm tones, symbolizing the alarming effects of global warming, yet the re-freezing of the text at the end of the video offers a glimmer of hope, signifying the potential impact of our collective efforts.
- ᱯᱨᱮᱨᱚᱱᱟ
- Scientists’ statistics and predictions indicate that global warming could lead to catastrophic consequences for humanity. This international environmental crisis necessitates collective action from individuals and countries worldwide. The immersive digital ink generated video art installation, through the distinctive texture of Chinese ink painting and the language of geometric and gestural abstraction, depicts the transformation of a glacier from ice to fire.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This project started in Macao in 2023 and finished in 2024. The work was exhibited in Macao Museum of Art, Guangdong Museum of Art, Shenzhen Art Museum, and Glow Shenzhen 2024.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Digital ink generative video art and immersive installation.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Lampo Leong, 2024.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Lampo Leong
Yanxiu Zhao - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Lampo Leong, 2024
Image #2: Lampo Leong, 2024
Image #3: Lampo Leong, 2024
Image #4: Lampo Leong, 2024
Image #5: Lampo Leong, 2024
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
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ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
