Kazoo Design ᱨᱮᱱᱟᱜ Ozz ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱞᱴᱠᱟᱣ ᱵᱟᱛᱤ

Kazoo Design ᱨᱮᱱᱟᱜ Ozz ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱞᱴᱠᱟᱣ ᱵᱟᱛᱤ ᱫᱚ ᱞᱟᱭᱴᱤᱝ ᱩᱛᱯᱟᱫ ᱟᱨ ᱯᱷᱤᱠᱥᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱞᱟᱭᱴᱤᱝ· 2026

Ozz ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱞᱴᱠᱟᱣ ᱵᱟᱛᱤ

Kazoo Design ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Kazoo Design Studio

ᱞᱟᱭᱴᱤᱝ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

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ᱰᱤᱡᱟᱭᱤᱱ

Ozz ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱞᱴᱠᱟᱣ ᱵᱟᱛᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱚᱶᱟ ᱵᱟᱛᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱢᱤᱫ ᱡᱟᱫᱩᱜᱚᱨ ᱨᱮᱭᱟᱜ ᱴᱳᱯᱤ ᱠᱷᱚᱱ ᱟᱨᱠᱟᱣ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱟᱨ ᱡᱟᱦᱟᱸ ᱩᱛᱟᱹᱨ ᱡᱟᱫᱩᱜᱚᱨ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱚᱛ, ᱚᱡ, ᱨᱮᱭᱟᱜ ᱧᱩᱛᱩᱢ ᱛᱮ ᱧᱩᱛᱩᱢᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱷᱟᱹᱞᱤ ᱢᱤᱫ ᱜᱟᱺᱰᱟ ᱠᱷᱟᱞᱠᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱤᱱᱤᱥ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱨᱮᱭᱟᱜ ᱢᱚᱱᱮ ᱛᱮ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱞᱦᱟᱨᱟ ᱞᱮᱠᱟᱛᱮ ᱵᱚᱫᱚᱞ ᱦᱩᱭ ᱠᱟᱛᱮ ᱢᱤᱫᱴᱟᱝ ᱨᱩᱯ ᱛᱮ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱮᱱᱟ᱾ ᱡᱟᱦᱟᱸᱭ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱧᱮᱞ ᱴᱷᱟᱶ ᱠᱷᱚᱱ ᱧᱮᱞ ᱠᱷᱟᱱ ᱰᱷᱟᱯ ᱫᱚ ᱮᱠᱟᱛᱮ ᱟᱠᱟᱱ ᱛᱮ ᱛᱟᱦᱮᱸᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱵᱚᱫᱚᱞ ᱦᱩᱭ ᱠᱟᱱ ᱜᱮᱲᱮᱡ ᱠᱚ ᱫᱚ ᱦᱚᱲ ᱟᱨ ᱵᱟᱛᱤ ᱛᱟᱞᱟᱨᱮ ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟᱛᱮ ᱡᱟᱦᱟᱸᱱᱟᱜ ᱦᱩᱭᱮᱫᱟ ᱚᱱᱟ ᱨᱮ ᱦᱩᱰᱤᱧ ᱞᱮᱠᱟᱛᱮ ᱮᱴᱮᱛ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱮ ᱦᱤᱸᱰᱤᱧ ᱚᱲᱠᱚᱨ ᱛᱮ ᱧᱮᱞᱤᱡ ᱦᱚᱲ ᱞᱟᱹᱜᱤᱫ ᱞᱦᱟᱨᱟ ᱞᱮᱠᱟᱱ ᱨᱟᱠᱟᱵ ᱨᱮᱭᱟᱜ ᱟᱹᱴᱤᱡ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Ozz ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱞᱴᱠᱟᱣ ᱵᱟᱛᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ozz ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱞᱴᱠᱟᱣ ᱵᱟᱛᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: This lamp’s form is defined by six curves based on the circle. The top and bottom circles are perfect circles, while the four in between ones are deformed and angled to create variation. Though the overall silhouette remains similar from different viewpoints, the shifting curves affect how the lamp interacts with ambient light across its’ surface.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Width: 30cm x Depth: 30cm x Height: 20cm
ᱴᱮᱜ ᱠᱚ: Contemporary, Pendant Lamp, Wizard of Oz, Geometric
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: The lamp design was made digitally and for its’ plaster mold production a prototype was 3d printed. Along with the prototype, the container that was used in order to place the prototype in and create the plaster mold, was also 3d printed. For this product, a small table that the mold can rest on, with a hole and a valve installed on its’ underside was used, in order to achieve a smooth drain out of the porcelain slip. This was done, in order to achieve the cleanest possible cast from a heavy mold, with the least amount of post clean-up.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: Although the design and mold-making part proved to be straightforward, the biggest challenge arose during the firing of the porcelain. Finding the right temperature and firing programme for an object that has a large rim and irregular edges required a fair amount of tests.
ᱜᱚᱵᱮᱥᱚᱱᱟ: After designing the project and before jumping into its’ production, a prototype vessel was 3d printed in order to verify that an object with helical symmetry is in balance when suspended.
ᱯᱨᱮᱨᱚᱱᱟ: This lamp design draws inspiration from the form of a wizard’s hat; specifically, a tightly cropped interpretation that omits the brim and crown, leaving only the essence of its conical silhouette.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The product was designed in early 2025 and production started in the summer of 2025. The entire process took place in Istanbul, Turkey.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The lamp’s size and opening allow for it to be used as the main form of illumination in a space. Its’ sharp wavy edges create a sense of motion, while its’ smooth but also angular form allow it to blend into many space with different interior styles.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Designer: Konstantinos Paradeisopoulos
Designer: Zeynep Onder Paradeisopoulos
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image No 4: Shutterstock / jafara image was used as a backdrop for the lamp.