Xinyu Zheng ᱨᱮᱱᱟᱜ Floral Album ᱯᱷᱮᱥᱚᱱ ᱠᱚᱞᱮᱠᱥᱚᱱ

Xinyu Zheng ᱨᱮᱱᱟᱜ Floral Album ᱯᱷᱮᱥᱚᱱ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱫᱚ ᱯᱷᱮᱥᱚᱱ, ᱞᱤᱡᱟᱹ ᱟᱨ ᱵᱟᱥᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱯᱷᱮᱥᱚᱱ· 2026

Floral Album ᱯᱷᱮᱥᱚᱱ ᱠᱚᱞᱮᱠᱥᱚᱱ

Xinyu Zheng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Tulip 'n room

ᱯᱷᱮᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#177958 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Floral Album ᱯᱷᱮᱥᱚᱱ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱷᱞᱚᱨᱟᱞ ᱟᱞᱵᱚᱢ ᱫᱚ 1980 ᱥᱟᱞᱮ ᱨᱮᱭᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱠᱷᱚᱱ ᱤᱱᱥᱯᱤᱨᱮᱥᱚᱱ ᱧᱟᱢ ᱟᱠᱟᱫ ᱢᱤᱫ ᱯᱷᱮᱥᱚᱱ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱫᱚ ᱰᱮᱰᱥᱴᱚᱠ ᱠᱟᱯᱲᱟ ᱛᱮ ᱟᱭᱢᱟ ᱛᱤ ᱠᱟᱹᱢᱤ ᱛᱮᱠᱱᱤᱠ ᱥᱟᱞᱟᱜ ᱢᱮᱥᱟ ᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱛᱤ ᱛᱮ ᱮᱢᱵᱨᱚᱭᱰᱟᱨᱤ, ᱠᱨᱚᱥᱮᱴ, ᱵᱤᱰᱤᱝ, ᱱᱤᱴᱤᱝ ᱟᱨ ᱠᱨᱚᱥ ᱥᱴᱤᱪ ᱫᱚ ᱵᱷᱮᱞᱣᱮᱴ ᱟᱨ ᱞᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱴᱨᱟᱱᱥᱯᱮᱨᱮᱱᱴ ᱠᱟᱯᱲᱟ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱠᱨᱚᱥᱮᱴ ᱴᱨᱤᱢ ᱟᱨ ᱱᱤᱴ ᱟᱠᱟᱱ ᱴᱩᱠᱽᱲᱟ ᱠᱚ ᱨᱮ ᱥᱤᱠᱭᱩᱭᱤᱱ ᱡᱤᱱᱤᱥ ᱢᱮᱱᱟᱜᱼᱟ ᱡᱟᱦᱟᱸ ᱦᱚᱨᱚᱜᱤᱡ ᱪᱟᱞᱟᱜ ᱚᱠᱛᱮ ᱢᱟᱨᱥᱟᱞ ᱠᱚ ᱥᱟᱵᱟ᱾ ᱡᱚᱛᱚ ᱞᱩᱜᱽᱲᱤ ᱫᱚ ᱢᱤᱫ ᱢᱤᱫ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱡᱟᱦᱟᱸ ᱴᱩᱠᱽᱲᱟ ᱦᱚᱸ ᱵᱟᱝ ᱫᱚᱦᱲᱟ ᱟᱠᱟᱱᱟ᱾ ᱡᱚᱛᱚ ᱴᱩᱠᱽᱲᱟ ᱫᱚ ᱯᱷᱨᱤ ᱥᱟᱭᱤᱡᱽ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱫᱚ ᱵᱟᱹᱲᱛᱤ ᱛᱤ ᱠᱟᱹᱢᱤ ᱥᱟᱞᱟᱜ ᱦᱤᱲᱤᱧ ᱟᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱨᱮᱭᱟᱜ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨ ᱡᱚᱲᱟᱣ ᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Floral Album ᱯᱷᱮᱥᱚᱱ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Floral Album ᱯᱷᱮᱥᱚᱱ ᱠᱚᱞᱮᱠᱥᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: All the pieces are free size.
ᱴᱮᱜ ᱠᱚ: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
ᱜᱚᱵᱮᱥᱚᱱᱟ: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
ᱯᱨᱮᱨᱚᱱᱟ: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: This project was initiated in April 2023 and completed in September 2024 in New York.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: /
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Stefy Lin, 2024.