Shanghai Yitong Cultural Communication Co.,Ltd. ᱨᱮᱱᱟᱜ Suwen ᱜᱩᱪᱤᱱ

Shanghai Yitong Cultural Communication Co.,Ltd. ᱨᱮᱱᱟᱜ Suwen ᱜᱩᱪᱤᱱ ᱫᱚ ᱵᱟᱡᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱠᱟᱥᱟᱵᱟᱡᱟ· 2026

Suwen ᱜᱩᱪᱤᱱ

Shanghai Yitong Cultural Communication Co.,Ltd. ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Shanghai Yitong Cultural Communucation Co.,Ltd.

ᱵᱟᱡᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#180049 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Suwen ᱜᱩᱪᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱥᱩᱣᱮᱱ ᱫᱚ ᱢᱤᱫ ᱜᱩᱪᱤᱱ ᱠᱟᱱᱟ, ᱪᱤᱱ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱯᱟᱨᱚᱢᱯᱚᱨᱤᱠ ᱛᱟᱨ ᱵᱟᱡᱟ, ᱚᱠᱟ ᱫᱚ ᱱᱤᱛᱚᱜᱟᱜ ᱚᱨᱚᱲ ᱞᱟᱹᱜᱤᱫ ᱱᱟᱶᱟ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱫᱚ ᱦᱚᱨᱭᱩᱡᱤ ᱢᱚᱸᱫᱤᱨ ᱨᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱ ᱛᱟᱝ ᱨᱟᱡᱽᱵᱚᱝᱥ ᱨᱮᱭᱟᱜ ᱪᱤᱱ ᱵᱟᱡᱟ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱥᱟᱰᱮ ᱯᱟᱴᱟ (ᱥᱟᱩᱸᱰᱵᱚᱨᱰ) ᱫᱚ ᱢᱟᱨᱮ ᱥᱤᱰᱟᱨ ᱟᱨᱵᱟᱝ ᱯᱟᱩᱞᱚᱱᱤᱭᱟ ᱫᱟᱨᱮ ᱛᱮ ᱛᱮᱭᱟᱨᱟᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱛᱟᱭᱚᱢ ᱥᱮᱫ ᱫᱚ ᱠᱟᱴᱟᱞᱯᱟ ᱫᱟᱨᱮ ᱛᱮ ᱛᱮᱭᱟᱨᱟᱜ ᱠᱟᱱᱟ᱾ ᱞᱟᱛᱟᱨ ᱯᱚᱨᱚᱛ ᱨᱮ ᱡᱤᱞ ᱦᱟᱰ ᱛᱚᱨᱚᱜ ᱫᱷᱩᱲᱤ ᱟᱨ ᱠᱟᱸᱪᱟ ᱞᱟᱠᱚᱨ (ᱨᱳ ᱞᱟᱠᱮᱨ) ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱥᱟᱰᱮ ᱵᱤᱡᱽᱬᱟᱹᱱ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱠᱷᱚᱸᱫᱚᱨ ᱛᱮ ᱦᱩᱰᱤᱧ ᱦᱚᱰᱢᱚ ᱨᱮᱦᱚᱸ ᱯᱩᱨᱟᱹ ᱢᱟᱯ ᱵᱟᱡᱟ ᱞᱮᱠᱟᱱ ᱥᱟᱰᱮ ᱟᱨ ᱟᱲᱟᱝ ᱧᱟᱢᱚᱜ ᱠᱟᱱᱟ᱾ ᱢᱮᱴ ᱜᱽᱨᱮᱱ ᱞᱟᱠᱚᱨ ᱯᱚᱨᱚᱛ ᱛᱮ ᱨᱚᱦᱚᱲ ᱟᱨ ᱵᱟᱝ ᱡᱷᱟᱹᱞᱚᱜ ᱪᱮᱛᱟᱱ ᱛᱮᱭᱟᱨᱚᱜ ᱠᱟᱱᱟ᱾ ᱪᱟᱸᱫᱵᱚᱞ ᱥᱮᱫ ᱨᱮᱱᱟᱜ ᱚᱥᱟᱨ ᱛᱟᱨ ᱛᱚᱞ ᱡᱟᱭᱜᱟ ᱛᱮ ᱮᱦᱚᱵᱤᱭᱟᱹ ᱟᱨ ᱦᱩᱰᱤᱧ ᱛᱤ ᱨᱮᱱᱟᱜ ᱚᱨᱚᱲᱤᱭᱟᱹ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱴᱩᱵ ᱪᱟᱞᱟᱜ ᱫᱚ ᱟᱞᱜᱟᱜ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Suwen ᱜᱩᱪᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Suwen ᱜᱩᱪᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: 1100mm*150mm*45mm
ᱴᱮᱜ ᱠᱚ: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
ᱜᱚᱵᱮᱥᱚᱱᱟ: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
ᱯᱨᱮᱨᱚᱱᱟ: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Ding Liang