Lampo Leong, Yanxiu Zhao and Haozheng Wu ᱨᱮᱱᱟᱜ Carbon Silicon Singularity ᱢᱩᱲᱩᱫ ᱠᱟᱹᱢᱤ: ᱢᱳᱝᱪᱚ ᱱᱚᱠᱥᱟ

Lampo Leong, Yanxiu Zhao and Haozheng Wu ᱨᱮᱱᱟᱜ Carbon Silicon Singularity ᱢᱩᱲᱩᱫ ᱠᱟᱹᱢᱤ: ᱢᱳᱝᱪᱚ ᱱᱚᱠᱥᱟ ᱫᱚ ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱨᱩᱯᱟᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ· 2026

Carbon Silicon Singularity ᱢᱩᱲᱩᱫ ᱠᱟᱹᱢᱤ: ᱢᱳᱝᱪᱚ ᱱᱚᱠᱥᱟ

Lampo Leong, Yanxiu Zhao and Haozheng Wu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Centre for Digital Arts, Department of Arts and Design, University of Macau

ᱠᱟᱞᱟ ᱯᱨᱚᱫᱟᱨᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

36,856

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#180788 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Carbon Silicon Singularity ᱢᱩᱲᱩᱫ ᱠᱟᱹᱢᱤ: ᱢᱳᱝᱪᱚ ᱱᱚᱠᱥᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱚᱱᱟ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱯᱟᱱᱛᱮ ᱮᱢᱟᱭ ᱡᱟᱦᱟᱸ ᱚᱠᱛᱚ ᱡᱤᱭᱚᱱ ᱫᱟᱨᱟᱭ ᱡᱤᱵᱚᱱ ᱱᱟᱶᱟ ᱩᱫᱩᱜ ᱚᱪᱚᱜ ᱥᱤᱞᱤᱠᱚᱱ ᱟᱫᱷᱟᱨ ᱨᱮᱭᱟᱜ ᱡᱤᱵᱚᱱ ᱨᱩᱯ ᱥᱟᱶ ᱧᱟᱯᱟᱢᱚᱜ-ᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ AI ᱟᱨ ᱟᱞᱜᱳᱨᱤᱫᱷᱢ ᱥᱤᱥᱴᱚᱢ ᱢᱮᱱᱟᱜ-ᱟ। ᱥᱤᱝᱜᱩᱞᱟᱨᱤᱴᱤ ᱢᱤᱫ ᱵᱷᱟᱵᱱᱟ ᱨᱩᱯ ᱨᱩᱯᱚᱠ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮᱫ, ᱱᱚᱶᱟ ᱚᱱᱟ ᱵᱤᱪᱟᱨ ᱮᱢᱟᱭ ᱪᱮᱫ ᱞᱮᱠᱟᱛᱮ ᱱᱚᱶᱟ ᱢᱤᱫᱴᱷᱮᱱ ᱦᱚᱪᱚᱜ ᱡᱤᱵᱚᱱ, ᱯᱟᱦᱪᱟᱱ, ᱟᱨ ᱚᱱᱴᱳᱞᱳᱡᱤ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱱᱟᱶᱟ ᱨᱩᱯ ᱮᱢᱟᱭ। ᱥᱤᱞᱤᱠᱚᱱ ᱫᱚ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱵᱚᱫᱚᱞ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜ ᱵᱟᱝ ᱠᱟᱛᱮᱫ, ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱫᱚ ᱢᱤᱫᱟᱱ ᱦᱚᱪᱚᱜ, ᱢᱤᱫᱴᱷᱮᱱ ᱛᱟᱦᱮᱸᱱ, ᱟᱨ ᱢᱤᱫ ᱢᱤᱫᱴᱮᱱ ᱯᱨᱚᱵᱷᱟᱵ ᱨᱮᱭᱟᱜ ᱢᱷᱟᱸᱪᱷᱟ ᱮᱢᱟᱭ। ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱲᱩᱫ ᱨᱮ, ᱱᱚᱶᱟ ᱫᱚ ᱠᱟᱨᱵᱚᱱ ᱟᱨ ᱥᱤᱞᱤᱠᱚᱱ ᱛᱟᱞᱟᱨᱮ ᱢᱤᱫ ᱦᱚᱪᱚᱜ ᱜᱟᱞᱢᱟᱨᱟᱣ ᱢᱳᱝᱪᱚ ᱨᱮ ᱩᱫᱩᱜᱚᱜ-ᱟ, ᱢᱤᱫ ᱱᱟᱶᱟ ᱥᱟᱹᱜᱟᱹᱭ ᱨᱮᱭᱟᱜ ᱱᱟᱶᱟ ᱥᱟᱫᱷᱚᱱ ᱫᱟᱨᱟᱭ ᱢᱷᱟᱸᱪᱷᱟᱣᱟᱠᱟᱱ ᱢᱤᱫ ᱵᱤᱪᱟᱨ ᱞᱮᱠᱟᱱ ᱟᱜᱟᱢᱤ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱮᱢᱟᱭ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Carbon Silicon Singularity ᱢᱩᱲᱩᱫ ᱠᱟᱹᱢᱤ: ᱢᱳᱝᱪᱚ ᱱᱚᱠᱥᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Carbon Silicon Singularity ᱢᱩᱲᱩᱫ ᱠᱟᱹᱢᱤ: ᱢᱳᱝᱪᱚ ᱱᱚᱠᱥᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The work explores coexistence, convergence, and hybridization of distinct life forms. When humans project perception and emotion onto algorithmic systems, these entities operate as reflection that refract and complicate our understanding of human essence. The motif of a "dialogue between carbon and silicon" constitutes a conceptual axis: two forces simultaneously resisting, permeating, and co-constituting one another. Their intersection illuminates a speculative and fantastic future.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: This immersive installation measures 3.2m x 3.2m x 3.7m and features a digital ink generative video displayed on an LED panel. Acrylic mirrors line the walls, ceiling, and floor, creating a reflective environment that also functions as a stage for modern dance performance.
ᱴᱮᱜ ᱠᱚ: Immersive Stage Design, Dance Performance, Immersive Installation, Interaction between Calligraphy and Body Movement
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: This work begins with hand painted ink artworks and calligraphy on rice-paper. These physical pieces are then digitized using a high-resolution scanner. Using multiple tools and software, the images are transformed into dynamic, generative video compositions. Ultimately, the resulting immersive fine art installation becomes the stage environment for a modern dance performance.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: Transforming classical and contemporary ink painting and calligraphy into postmodern, digitally generated video art presents significant creative and technical challenges. Additionally, the video work also functions simultaneously as an immersive installation and as stage design for modern dance performance, further expanding the complexity and innovation of the project.
ᱜᱚᱵᱮᱥᱚᱱᱟ: This work explores the transitional moment in which humanity confronts the emergence of silicon based forms of existence such as artificial intelligence and computational systems alongside traditional carbon based life. Using the Singularity as a conceptual metaphor, the work examines how this shift re-configures established understandings of life, identity, and ontology. Rather than depicting silicon as a replacement for organic existence, the work emphasizes hybridization, coexistence, and mutual influence. As humans project perception and emotion onto machinic entities, these systems reflect and complicate our understanding of human essence. Central to the series is the evolving dialogue between carbon and silicon - two forces that resist, permeate, and co-constitute one another - pointing toward a speculative future defined by hybridity and expanded possibilities of embodiment and being.
ᱯᱨᱮᱨᱚᱱᱟ: This series adopts the Singularity as a conceptual metaphor to examine the transitional moment in which humanity stands between carbon based life and emerging silicon based modes of existence. This shift signals a fundamental redefinition of life, self awareness, and embodiment. As carbon and silicon converge within shared temporal and spatial conditions, the boundaries of life become increasingly porous, allowing new ontological configurations to emerge.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started in September 2025 in Guangdong and finished in December 2025 in Beijing, and it was exhibited in The 10th Beijing International Art Biennale in 2025.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: An immersive, digitally generated video art installation that serves as the stage environment for a modern dance performance. As the dancer moves through the space, she interacts with evolving calligraphic strokes, generating imagery that signifies an ongoing dialogue between carbon based life and emerging silicon based forms of existence.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyrights belong to Lampo Leong, 2025.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Lampo Leong
Yanxiu Zhao
Haozheng Wu
Dan Wang
Shiyun Wan
Li Lin
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1: Lampo Leong, 2025
Image #2: Lampo Leong, 2025
Image #3: Lampo Leong, 2025
Image #4: Lampo Leong, 2025
Image #5: Lampo Leong, 2025