ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Lacime Landscaping ᱨᱮᱱᱟᱜ U Cube ᱵᱟᱦᱨᱮ ᱵᱟᱭ ᱫᱚᱦᱲᱟ ᱠᱟᱴᱦᱟ

Lacime Landscaping ᱨᱮᱱᱟᱜ U Cube ᱵᱟᱦᱨᱮ ᱵᱟᱭ ᱫᱚᱦᱲᱟ ᱠᱟᱴᱦᱟ ᱫᱚ ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ· 2020

U Cube ᱵᱟᱦᱨᱮ ᱵᱟᱭ ᱫᱚᱦᱲᱟ ᱠᱟᱴᱦᱟ

Lacime Landscaping ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Lacime Landscaping

ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

12,380

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#87409 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

U Cube ᱵᱟᱦᱨᱮ ᱵᱟᱭ ᱫᱚᱦᱲᱟ ᱠᱟᱴᱦᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱭᱩ ᱠᱭᱩᱵᱽ ᱪᱭᱱᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱸᱜᱷᱟᱭ ᱨᱮᱭᱟᱜ ᱠᱚᱠᱚ ᱦᱚᱲᱟ ᱚᱠᱛᱚ ᱥᱟᱲᱚᱢ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱦᱩᱰᱤᱧ ᱵᱟᱦᱨᱮ ᱵᱟᱭ ᱫᱚᱦᱲᱟ ᱠᱟᱴᱦᱟ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ 2018 ᱥᱮᱨᱢᱟ ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱮᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱚᱱᱟ ᱫᱚᱨᱠᱟᱨ ᱨᱮᱭᱟᱜ ᱫᱟᱨᱥᱚᱱ ᱠᱚ ᱚᱛᱟᱭ ᱠᱟᱛᱮ ᱪᱟᱹᱞᱟᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱱᱟᱜ ᱨᱮ ᱟᱹᱰᱤ ᱦᱟᱹᱴᱤᱧ ᱠᱟᱡᱽᱠᱚ ᱚᱛᱟᱭ ᱠᱟᱛᱮ ᱦᱟᱹᱛᱤᱭᱟᱹᱨ ᱨᱮ ᱛᱮᱦᱮᱸ ᱟᱠᱟᱱᱟ ᱾ ᱠᱚᱢ ᱡᱤᱱᱤᱥ ᱠᱚ, ᱱᱟᱶᱟ ᱡᱟᱢᱟᱱᱟ ᱨᱮᱭᱟᱜ ᱥᱚᱢᱟᱱ ᱠᱚ ᱟᱨ ᱪᱮᱛᱟᱱ ᱵᱮᱭᱟᱹᱨ ᱠᱚ ᱚᱱᱟ ᱠᱚᱠᱚ ᱦᱚᱲᱟ ᱨᱮᱭᱟᱜ ᱚᱠᱛᱚ ᱡᱟᱭᱜᱟ ᱛᱮ ᱮᱢ ᱚᱰᱚᱠ ᱟ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱱ ᱟᱢᱯᱳᱥ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱹᱜᱤᱫ ᱟᱹᱰᱤ ᱫᱟᱨᱠᱟᱨ ᱠᱟᱱᱟ ᱾ ᱯᱩᱨᱟᱹᱣ ᱨᱟᱥᱛᱟ ᱛᱟᱦᱮᱸᱱ ᱟᱠᱟᱱᱟ ᱦᱟᱹᱛᱤᱭᱟᱹᱨ ᱟᱨ ᱧᱩᱛ, ᱚᱱᱟᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱚᱱᱟ ᱡᱟᱭᱜᱟ ᱚᱛᱟᱭ ᱠᱟᱛᱮ ᱨᱮᱭᱟᱜ ᱩᱥᱩᱞ ᱨᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱚᱱᱟ ᱫᱚᱨᱡᱟ ᱯᱳᱴ ᱟᱨ ᱢᱤᱫ ᱪᱤᱱᱦᱟ ᱡᱟᱭᱜᱟ ᱠᱟᱛᱮ ᱟᱢᱯᱳᱥ ᱡᱟᱭᱜᱟ ᱟᱨ ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱵᱟᱭᱨᱮ ᱦᱟᱸᱴᱤᱡᱽ ᱟᱠᱟᱱᱟ ᱾ ᱜᱟᱲᱤ ᱦᱟᱴᱤᱧᱟᱹᱣ ᱨᱮᱭᱟᱜ ᱛᱟᱴᱤ ᱚᱛᱟᱭ ᱟᱠᱟᱱᱟ ᱡᱮᱛᱮ ᱢᱤᱫ ᱮᱴᱚᱦᱚᱵ ᱟᱨ ᱟᱞᱟᱫᱟ ᱠᱟᱹᱢᱤ ᱠᱟᱛᱮ ᱚᱠᱛᱚ ᱮᱢᱚᱜ ᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

U Cube ᱵᱟᱦᱨᱮ ᱵᱟᱭ ᱫᱚᱦᱲᱟ ᱠᱟᱴᱦᱟ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ U Cube ᱵᱟᱦᱨᱮ ᱵᱟᱭ ᱫᱚᱦᱲᱟ ᱠᱟᱴᱦᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Following the design philosophy of removing complexity and keeping simplicity, Lacime made the small-scale streets a beautiful and practical office landscape by using minimal elements, futuristic design techniques, and exquisite details.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The original lane was narrow and dark, which become more congested and depressed because of coexistence of passages and vehicles. So, the design was based on the principle of stretching space.
ᱴᱮᱜ ᱠᱚ
landscape, renovation, architecture, street, simplicity
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The original street lacks a unique soul and character due to the messy city interface and the ambiguous boundaries between different industries. As a result, this commercial and residential land failed to inject vitality into the area. As to the facade, the futuristic materials, fine doorplate and iconic entrance stand out from the surrounding chaotic environment, dividing the office area from the residential area. Meanwhile, the nature of the land is highlighted with a new image, thus the value of the neighborhood has been improved.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
How to integrate the four elements into one, and to inject new life to the area from point to plane has become the main point of this design. The modern building contrasts sharply with the surrounding environment. The pure white walls and the tough clean lines both lay a good foundation for the landscape design.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Looking at the endless stream of time, whether after five years, ten years, thirty years or even one hundred years, a good work can exist in time, beyond time, and will not be swallowed by time. This is what we have been pursuing and what we are longing for.
ᱯᱨᱮᱨᱚᱱᱟ
As Jane Jacobs pointed out in her book The Death and Life of Great American Cities that while modern urban planning theory promotes regionalization, it devalues high-density, and the mixed use of small-scale neighborhoods and open spaces undermines urban diversity. The four elements of a vibrant urban area are proposed in the book: mixed land use, small-scale neighborhoods, coexistence of new and old buildings and high population density, which are integrated in this project.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project is completed in 2018 in Shanghai, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In addition to the landscape transformation, the vehicle is shielded by control, providing a relatively quiet and independent modern working environment which has a sense of future.
The thinking and design of a landscape project should be beyond what we see at present and design can promote value.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Zhang Yi, Wang Jing, Hou Jianbang, Wang Donghao, Huang Xuelong, Wu Di, Ma Dawei, Zeng Xiaohui

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ