Justin Wheatcroft ᱨᱮᱱᱟᱜ Limonio ᱡᱚᱢ ᱡᱚᱠᱷᱮᱭᱟᱜ ᱪᱟᱹᱭᱨ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2020
Limonio ᱡᱚᱢ ᱡᱚᱠᱷᱮᱭᱟᱜ ᱪᱟᱹᱭᱨ
Justin Wheatcroft ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Square Roots
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#98884 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Limonio ᱡᱚᱢ ᱡᱚᱠᱷᱮᱭᱟᱜ ᱪᱟᱹᱭᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱞᱤᱢᱚᱱᱤᱭᱚ ᱫᱚ ᱢᱤᱫ ᱡᱚᱢ ᱡᱚᱠᱷᱮᱭᱟᱜ ᱪᱟᱹᱭᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱥᱟᱡᱟᱣ ᱢᱮᱱᱟᱜ ᱟᱠᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱪᱟᱹᱭᱨ ᱨᱮ ᱵᱚᱨᱚᱠ ᱨᱮᱠᱷᱟ ᱟᱨ ᱢᱤᱫ ᱥᱟᱦᱠᱟᱹᱣᱟᱜ ᱵᱟᱭᱚᱢᱚᱨᱯᱷᱤᱠ ᱛᱟᱭᱚᱢ ᱴᱮᱠᱟ ᱢᱮᱱᱟᱜ-ᱟ ᱡᱟᱦᱟᱸ ᱯᱟᱛᱞᱟ ᱴᱮᱯᱟᱨ ᱡᱟᱝᱜᱟ ᱥᱟᱶ ᱮᱴᱠᱮᱴᱚᱬᱮ ᱮᱢᱟᱜ-ᱟ, ᱟᱨ ᱵᱮᱥᱮ-ᱵᱮᱥᱮ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱛᱮᱭᱟᱨ ᱮᱢᱟᱜ-ᱟ ᱾ ᱫᱮᱠᱷᱟᱣ ᱞᱮᱱ ᱯᱷᱨᱮᱢ ᱫᱚ ᱠᱚᱢ ᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ ᱟᱨ ᱯᱤᱛᱚᱞ ᱰᱤᱴᱮᱞ ᱛᱮ ᱯᱩᱨᱟᱹᱣ ᱠᱟᱱᱟ ᱾ ᱵᱮᱸᱰ ᱠᱟᱱ ᱯᱞᱟᱭᱣᱩᱰ ᱛᱟᱭᱚᱢ ᱴᱮᱠᱟ ᱟᱨ ᱟᱥᱚᱱ ᱫᱚ ᱴᱷᱚᱥ ᱥᱟᱠᱟᱢ ᱛᱨᱟᱯᱮᱡᱚᱭᱰ ᱛᱮ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱯᱤᱛᱚᱞ ᱛᱮ ᱯᱮᱜ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾ ᱩᱪ ᱰᱮᱱᱥᱤᱴᱤ ᱯᱷᱚᱢ ᱟᱨ ᱴᱮᱯᱟᱨ ᱛᱮᱭᱟᱨ ᱫᱚ ᱪᱟᱹᱭᱨ ᱨᱮ ᱢᱤᱫ ᱦᱟᱞᱠᱟ ᱪᱮᱦᱟᱨᱟ ᱮᱢᱟᱜ-ᱟ ᱾ ᱛᱮᱭᱟᱨ ᱨᱮ ᱤᱱᱰᱟᱥᱴᱨᱤᱭᱟᱞ ᱛᱚᱨᱤᱠᱟ ᱟᱨ ᱠᱟᱨᱤᱜᱚᱨᱤ ᱠᱟᱹᱢᱤ ᱢᱤᱫᱛᱮ ᱢᱮᱥᱟᱣ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Limonio ᱡᱚᱢ ᱡᱚᱠᱷᱮᱭᱟᱜ ᱪᱟᱹᱭᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Limonio ᱡᱚᱢ ᱡᱚᱠᱷᱮᱭᱟᱜ ᱪᱟᱹᱭᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Its clean lines, the contrast between a fine simplified biomorphic shaped back and the thin yet strong legs creates an elegant asymmetrical balance. Its lightweight appearance, the exposed minimal frame enhanced with brass detail, ensure its function as a dining chair and as a modern and sophisticated design piece.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- w480 / d530 / h760
0.17cbm / pce
Packed two in a box. - ᱴᱮᱜ ᱠᱚ
- Minimal, postindustrial, craft, masquerade, comfort, lightness, elegance
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The chair gains it lightness through a strong tapered stance and high density foam. Connections between the bent plywood backrest and seat are via solid wood trapezoids pegged with brass.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In the dozen years that we have been collaborating with designers and and designing our own chairs, we are constantly reacting to the thoughts and comments of our commercial parters, be they retail sellers, hotel specifiers, interior designers or architects. Our goal is always to create something that is unique, that can inhabit its own design space and introduce some new ideas. For the Limonio, we concentrated upon the detail. The brass pinned trapezoid connectors and the mask like shape of the backrest define this piece.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- We were trying to design a chair that could happily sit in surroundings of different design language. The chair should be light in weight and appearance to juxtapose with our dominantly weighty tables. It should convey the personality and humor of our brand and play to our mixed production practices of technology and craftsmanship.
- ᱯᱨᱮᱨᱚᱱᱟ
- Inspired by the great designs and shapes from last century, exploring new minimal frames in which distinctives details can be integrated without being strident. Using know how and craft-oriented makers, from a postindustrial approach, the piece is unique. I call it Limonio as it is fresh and soft, but still has character (acid) like the drink.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Ten months. March 2019 - Jan 2020.Developed between Barcelona and Ho Chi Minh City. It will be exhibited at VIFA (Vietnam) March 2020.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This chair has character, confidence and humor, however it is not boorish and self centered. It happily sits alongside pieces of different style and personality. Whilst it gathers attention and admirers, it does not scream look at me.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Pending patent number
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Jose Ballesteros
Edward Stoddart
Mauro Zamaro
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
