Ryumei Fujiki and Yukiko Sato طرفان Porous Manifold جاپاني ٽيرو روم انتهائي معتبر 2019 A' Design Award چاندي انعام جو فاتح آهي لطيف فنون ۽ آرٽ تنصيب ڊيزائن مقابلي جي درجي ۾.
چانديلطيف فن· 2019
Porous Manifold جاپاني ٽيرو روم
Ryumei Fujiki and Yukiko Sato طرفان
ڪلائنٽ: F.A.D.S + Fujiki Studio, KOU::ARC
لطيف فن درجي ۾ A' Design Award چاندي انعام فاتح
تصديق ٿيل ايوارڊ فاتح
ڊزائين #72501 لاءِ ايوارڊ جي حيثيت جي تصديق ڪريوڊزائن
Porous Manifold جاپاني ٽيرو روم بابت
هي هڪ عارضي جاپاني ٽيرو روم آهي جنهن جي نمائش Echigo-tsumari Art Triennale 2018 ۾ ڪئي وئي آهي ۽ ان ۾ هڪ نسٽڊ ڍانچي آهي جنهن ۾ ٻه-ٽاتامي اسپيس ڏهه فوٽ چورس ۾ شامل آهي. هن نمائش ۾، آرڪيٽيڪٽس کان پڇيو ويو ته هو هن موضوع تي جواب ڏين ته ڪيئن هڪجهڙائي واري خلا جي تصور تي غالب ٿي، جيڪو 20 صدي ۾ غالب هو. کنڊر بي ترتيب نموني استعمال ڪندي ٺاهيو ويو هو جنهن کي وورونائي ڊويزن سڏيو ويندو هو هڪجهڙائي واري جاء کي خراب ڪرڻ لاء. ۽ اهو تجويز ڪيو ويو ته آرڪيٽيڪچر هڪ وڏي تعداد ۾ سوراخ سان گڏ جيڪو کوليو ۽ بند ڪري سگهجي ٿو جيئن ضرورت هجي ته جيئن ٻاهرئين سان رابطي لاء هڪ جاندار شيء وانگر.
سڃاڻپ
A' Design Award چاندي انعام بابت
Porous Manifold جاپاني ٽيرو روم A' Design Award چاندي انعام جو کٽيندڙ آهي، غير معمولي حد تائين معزز اعتراف جيڪو اعليٰ ترين درجي جي، شاندار ۽ متاثر ڪندڙ ڊيزائنن کي ڏنو وڃي ٿو. چاندي جا کٽيندڙ تمام گهڻا روشن ۽ انتهائي تخليقي ڪم آهن، جيڪي پنهنجي ڊيزائنرن جي شاندار مهارت، صلاحيت ۽ ذڪاوت کي ظاهر ڪن ٿا. Porous Manifold جاپاني ٽيرو روم کان اميد ڪئي وڃي ٿي ته اهو هڪ شاندار نمائشي ڪم هوندو، قابل ذڪر حد تائين پيشه ورانه ۽ ڳوڙهي جدت وارو. هي ڊيزائن جنهن A' Design Award چاندي انعام کٽيو آهي، هڪ انتهائي قابل ذڪر، ساراهيل ايجاد آهي جيڪا فائدو ڏئي ٿي ۽ فن، سائنس، ڊيزائن ۽ ٽيڪنالاجي جون حدون وڌائي ٿي. Porous Manifold جاپاني ٽيرو روم هڪ اهڙي تخليق آهي جنهن تي گهڻا حسد ڪن ٿا، جيڪا خواهشون جاڳائي ٿي، مثبت جذبا آڻي ٿي ۽ حيرت ۽ تعجب جي چڻنگ ٻاري ٿي.
ڊزائن جي پسمنظر
پريس ڪِٽ
ڊزائنر طرفان فراهم ڪيل ڪريڊٽس، ٽيم ميمبرز ۽ ٽيڪنيڪل تفصيلات.
- منفرد خاصيتون
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - ماپ ۽ پيڪيجنگ
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - ٽيگ
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- پيداواري ٽيڪنالاجي
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- ڊزائين چيلينج
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - تحقيق
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - الهام
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - منصوبي جو عرصو
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - عمل جو فلو
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - پيٽنٽ
- F.A.D.S + Fujiki Studio, KOU::ARC
- ٽيم ميمبر
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - تصوير ڪريڊٽ
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
اسپانسرڊ
Designers.org کان اڳتي ڳوليو
اسان جي اشتهاري ڀائيوالن جون پراڊڪٽس، خدمتون ۽ موقعا ڳوليو.
وڌيڪ ڳولڻ لاءِ
لاڳاپيل ڊزائنز
ساڳي درجي مان وڌيڪ ايوارڊ جيتندڙ ڊزائنز ڳوليو، جيڪي قابليت جي بنياد تي چونڊيل آهن.
