Mohamadali Vadood طرفان Forest Heart ڪاٺ جي تصوير

Mohamadali Vadood طرفان Forest Heart ڪاٺ جي تصوير انتهائي معتبر 2020 A' Design Award لوهه انعام جو فاتح آهي لطيف فنون ۽ آرٽ تنصيب ڊيزائن مقابلي جي درجي ۾.

لوههلطيف فن· 2020

Forest Heart ڪاٺ جي تصوير

Mohamadali Vadood طرفان

ڪلائنٽ: Gerdayesh

لطيف فن درجي ۾ A' Design Award لوهه انعام فاتح

16,991

تصديق ٿيل ايوارڊ فاتح

ڊزائين #86837 لاءِ ايوارڊ جي حيثيت جي تصديق ڪريو

سائيٽ ڏسو A' Design Award تي ڏسو پريس رليز ايوارڊ بيج

رنگ

ڊزائن

Forest Heart ڪاٺ جي تصوير بابت

ٻيلي جو دل نقشبنديءَ ۾ منصوبو جهڙو ڪم آهي ، هڪ مارڪيٽي ٺاهڻ جو طريقو اهو آهي ته هن ڪاٺ جي آرٽ جي تاريخ ۾ هڪ نئين دور جو نفاذ ٿيو. شروعاتي طور تي ، اهو هڪ پکيءَ جي شڪل کي ظاهر ڪري ٿو ، هن جي جسم جو هر ٽڪرو ٻاري جي وڻ جي ڪاٺ مان. قابل ذڪر نڪتو ، نه رڳو ، صرف ڪاٺ جي اصل رنگن کي برقرار رکڻ آهي ، جئين اهو عام طور تي سڀني مارڪوٽي ڪم ۾ ڪيو ويندو آهي ، اهو نمونن ، هلڪو ڇانو-واڳن ، ۽ بناوتن کي به بچائيندو آهي. حيرت انگيز ترين دنيا جي هر هڪ شي تي پڻ هڪ عظيم شي نظر اچي ٿي ، انهي ڪري هن جا ناظر ڪاٺ جي قدرتي قلعن جي نشاندهي ڪري سگهن ٿا.

سڃاڻپ

A' Design Award لوهه انعام بابت

Forest Heart ڪاٺ جي تصوير A' Design Award لوهه انعام جو کٽيندڙ آهي، معزز اعتراف جيڪو انهن سٺين ڊيزائنن کي ڏنو وڃي ٿو جيڪي چڱيءَ طرح ڊزائين ڪيل تخليقن کان متوقع پيشه ورانه ۽ صنعتي گهرجون پوريون ڪن ٿيون. لوهه جا کٽيندڙ پنهنجي خالقن جي وڏي مهارت، اعليٰ ماهري، ماهرانه سمجھ ۽ تخليقي صلاحيت ڏيکارين ٿا. Forest Heart ڪاٺ جي تصوير کان اميد ڪئي وڃي ٿي ته اهو هڪ تمام گهڻو قدر ڪيل، ساراهيل ۽ پياري تخليق هوندو جيڪو عملي ۽ جدت وارو آهي. هي ڊيزائن جنهن A' Design Award لوهه انعام کٽيو آهي، صنعت جا بهترين طريقا گڏ ڪري ٿو ۽ علم ۽ صلاحيت سان ڳنڍيل قابل ٽيڪنيڪل خاصيتون رکي ٿو. Forest Heart ڪاٺ جي تصوير جي سنجيدگيءَ ڪري عزت ڪئي وڃي ٿي ۽ اهو زندگيءَ جي معيار ۾ بهتري آڻڻ لاءِ ٺاهيل آهي جيڪا دنيا کي بهتر جڳهه بڻائڻ ۾ مدد ڪري ٿي.

ڊزائن جي پسمنظر

پريس ڪِٽ

ڊزائنر طرفان فراهم ڪيل ڪريڊٽس، ٽيم ميمبرز ۽ ٽيڪنيڪل تفصيلات.

منفرد خاصيتون: This art project tries to fulfill three intended purposes:
1. Taking a fresh look at wood to explore a new perception in it and to harmonize with its pure nature as well, so we can come up with original ideas to create real art.
2. Applying an innovative technique in working with wood and also in using common tools so we could achieve adequate quality in our performance.
3. Discovering, creating and defining new ways to gain desired images by tracing natural patterns in pieces of wood and making a synthesis between them.
ماپ ۽ پيڪيجنگ: The size is 35 in 60 cm.
The thickness of wood sheets were 4 mm.
The number of pieces are 47.
The weight is 700 gr.
All the colours and shades are chosen carefully to seize the natural fortuities in the woods.
ٽيگ: naqshbandi, wood pattern tracing, marquetry, wood pattern, double cut, wood texture, wood cut, coping saw, wood character, wood art
پيداواري ٽيڪنالاجي: Defining a geometrical table based on cutting angles plus a method of cutting for even 1 mm pieces, and trying to have desired wood patterns and spots by restoring in perfect conditions like natural moisture percentage, etc. to benefit from bacteria activity were the main production phases.
The types of wood, they were haloxylon for the body and the head, barberry for the tail, fig for the feet, tree of heaven for the nose and the leaves, acer monspessulanum (keykom) for the leaves again, jujube for the beak, European ash for the background and wenge for the margin.
The tools were coping saw, plane, sanding paper, nail and hammer.
ڊزائين چيلينج: Defining geometrical patterns of cuts so that pieces of wood could save their original patterns, overcoming the thickness of cutline without using primer, and coming up with the idea of what I call Double-cut at the time of sanding to prevent the destruction of sub-patterns and sub-textures and save the main image are the parts of this work that ended up being its challenges.
تحقيق: Naqshbandi is a new method or attitude which is used to create this piece and aims to benefit from connecting lines, expanding textures from one piece to another, and deciding upon the true light shade, not just the colour contrast and various tonalities as it is usual in other works of marquetry. It requires the artist to make a full-hearted attempt to harmonize themselves with the nature of wood as much as possible, and help them grow a clear perception of their work and gain a direct inspiration from natural fortuities given by wood. So, the whole thing will finally sound the art of nature in the eye of beholder.
الهام: Natural wood structure, consisting of a variety of colours, illusory lines, special texture and darkened and bright spots with special makeup during the growth of the tree, can broaden any individuals' horizon in many impossible to imagine ways. The cutting angle of the wood makes these motifs look even more varied on the surface of a piece, cut from the main wood. With this discovery of what the cutting angle leads to what l am thinking of, l came up with this idea that I would find a base for this to control the patterns, lines and colors of the wood to create an originally incredible image based on the nature of wood and not manual changes.
منصوبي جو عرصو: This work was created, in Tehran, started and finished in 2010, and to find appropriate woods they were provided from different places.
It took 6 months to accomplish the project as it turned out to be time-consuming to find desired wood pieces.
عمل جو فلو: In this project-like work of art you can see a specific way of working with wood using the fewest pieces and mainly benefiting from the natural colour and also texture of the wood so you can build up a perfectly complete image, which actually cannot be repeated or copied as patterns in each piece are naturlly unique. Thus, it can be artistically used as a piece of decoration, specifically in wood-based decorated spaces on the wall or a shelf.
As for the transformation, it could be carried in a box of the same size and as it deos not weigh that much or take up much space, it does not matter a special transport.
ٽيم ميمبر: the artist and the founding father of the method: Mohammad-ali Vadood