Changes Cycles and Shapes Digitálne umenie od Yuko Suzuki

Dizajn Changes Cycles and Shapes Digitálne umenie od dizajnéra Yuko Suzuki je vysoko uznávaným víťazom veľmi prestížneho ocenenia 2025 Zlatá cena A' Design Award v súťažnej kategórii Generatívny dizajn.

ZlatáGeneratívny dizajn· 2025

Changes Cycles and Shapes Digitálne umenie

od Yuko Suzuki

Klient: Feral File

Víťaz ocenenia Zlatá cena A' Design Award v kategórii Generatívny dizajn

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Dizajn

O dizajne Changes Cycles and Shapes Digitálne umenie

Toto dielo skúma otázku, Čo je maľba?, vyjadrením obehu vizuálnych výrazov. Inšpirované prechodmi v Mondrianových maľbách, vychádza z komponentovej schémy maľby, kde sa tvar pohybuje medzi figuratívnym a abstraktným a medzi šumom a linearitou - myšlienka aplikovaná na farbu. Dielo evokuje premenlivý stav digitálnej materiality, zdôrazňujúc, že formy medzi zmenami sú podstatou. Začlenením textúr tlačených barenou odráža identitu umelca ako grafika v digitálnej forme.

Ocenenie

O ocenení Zlatá cena A' Design Award

Changes Cycles and Shapes Digitálne umenie je laureát Zlatej ceny A' Design Award, nesmierne prestížneho uznania udeľovaného prvotriednym, úžasným a vynikajúcim dizajnom. Laureáti Zlatej ceny sú mimoriadne inovatívne, vizionárske a žiarivo oslnivé výtvory, ktoré odrážajú génia, múdrosť a majstrovstvo svojich dizajnérov. Od Changes Cycles and Shapes Digitálne umenie sa očakáva, že bude vysoko chváleným, trendotvorným a monumentálnym vynálezom, ktorý prináša bezprecedentnú hodnotu. Tento dizajn ocenený Zlatou cenou A' Design Award je pôsobivé, rešpektované dielo, ktoré vo veľkej miere prináša úžitok a posúva hranice umenia, vedy, dizajnu a technológie. Changes Cycles and Shapes Digitálne umenie vyvoláva intenzívne pocity túžby, prebúdza vášeň, povzbudzuje kreativitu a fascinuje nás.

Za dizajnom

Tlačový kit

Kredity, členovia tímu a technické údaje poskytnuté dizajnérom.

Jedinečné vlastnosti: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Rozmery a balenie: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Štítky: Generative Art, Coding
Výrobná technológia: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Dizajnérska výzva: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Výskum: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inšpirácia: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Trvanie projektu: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Pracovný postup: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Zdroje obrázkov: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.