The Armor Gledališki kostum – avtor Samantha Chijona Garcia and Vladimir Cuenca

Delo The Armor Gledališki kostum avtorja Samantha Chijona Garcia and Vladimir Cuenca je izjemno cenjeni dobitnik prestižne nagrade 2020 Srebrna nagrada A' Design Award v tekmovalni kategoriji Oblikovanje uprizoritvenih umetnosti, odra, sloga in scenografije.

SrebrnaUprizoritvene umetnosti· 2020

The Armor Gledališki kostum

avtor/ica: Samantha Chijona Garcia and Vladimir Cuenca

Naročnik: Jazz Martinez Gamboa

Dobitnik nagrade Srebrna nagrada A' Design Award v kategoriji Uprizoritvene umetnosti

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Dizajn

O dizajnu The Armor Gledališki kostum

Oklep je gledališki kostum, ustvarjen za lik Riharda III. v odrski uprizoritvi Shakespearove igre. Kostum je izdelan iz recikliranih in odsluženih materialov. Kovinske linije so prišite na keper suknjič, medtem ko prekrivajoče se usnjene gamaše tvorijo ločeno strukturo, povezano z usnjenimi jermeni in zaponkami. Rokavica iz verižnega oklepa zaključuje rokav, žametna kapa, podložena s kovinskimi trakovi, pa služi kot čelada. Šest delov je mogoče dodati ali odstraniti, ko se lik med igro spreminja. Zasnova odraža tako kralja kot ranljivega človeka v njem.

Priznanje

O nagradi Srebrna nagrada A' Design Award

The Armor Gledališki kostum je prejemnik Srebrne nagrade A' Design Award, izjemno prestižnega priznanja, ki se podeljuje čudovitim, impresivnim vrhunskim oblikovanjem. Prejemniki Srebrne nagrade so izjemno briljantna in zelo ustvarjalna dela, ki ponazarjajo izjemno strokovnost, talent in bistrost svojih oblikovalcev. Od The Armor Gledališki kostum se pričakuje, da bo čudovito, zgledno delo, opazno profesionalno in globoko inovativno. To oblikovanje, nagrajeno s Srebrno nagrado A' Design Award, je zelo opazen, občudovan izum, ki koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. The Armor Gledališki kostum je stvaritev, ki ji mnogi zavidajo, ki prebuja želje, prinaša pozitivna čustva in vzbuja začudenje in občudovanje.

V ozadju dizajna

Komplet za medije

Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.

Edinstvene lastnosti: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Dimenzije in embalaža: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Oznake: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Proizvodna tehnologija: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Oblikovalski izziv: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Raziskave: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Inspiracija: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Trajanje projekta: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Potek delovanja: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patenti: Copyrights belong to Chijona, Samantha, 2018
Člani ekipe: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Zasluge za slike: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018