Tea Culture Dvorana za doživetje čajne kulture – avtor Shenzhen Horizon Space Design Co.,Ltd

Delo Tea Culture Dvorana za doživetje čajne kulture avtorja Shenzhen Horizon Space Design Co.,Ltd je izjemno cenjeni dobitnik prestižne nagrade 2021 Srebrna nagrada A' Design Award v tekmovalni kategoriji Oblikovanje notranjega prostora in razstav.

SrebrnaInterier· 2021

Tea Culture Dvorana za doživetje čajne kulture

avtor/ica: Shenzhen Horizon Space Design Co.,Ltd

Naročnik: Shenzhen Horizon Space Design Co.,Ltd

Dobitnik nagrade Srebrna nagrada A' Design Award v kategoriji Interier

13,401

Potrjeni dobitnik nagrade

Preverite status nagrade za #116924

Ogled na A' Design Award Sporočilo za javnost Značka nagrade

Barve

Dizajn

O dizajnu Tea Culture Dvorana za doživetje čajne kulture

Čajna kultura je majhna dvorana za doživetje čajne kulture, zasnovana kot umirjeno okolje za pokušanje čaja. Več vodoravnih in navpičnih prostorov je združenih v eno neprekinjeno območje, kjer se obiskovalci lahko prosto sprehajajo, srečujejo drug drugega ali se ustavijo in ozrejo nazaj. Razporeditev je bila navdihnjena s prepognjenim papirjem, nastali premiki perspektive pa notranjosti dajejo tako klasično tišino kot sodobno živahnost. Vitke mreže nadomeščajo površinsko teksturo papirja. Vsak prostor je zreduciran na preprosto funkcijo, tako da se obiskovalci lahko sprostijo, preden je čaj postrežen.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Tea Culture Dvorana za doživetje čajne kulture je prejemnik Srebrne nagrade A' Design Award, izjemno prestižnega priznanja, ki se podeljuje čudovitim, impresivnim vrhunskim oblikovanjem. Prejemniki Srebrne nagrade so izjemno briljantna in zelo ustvarjalna dela, ki ponazarjajo izjemno strokovnost, talent in bistrost svojih oblikovalcev. Od Tea Culture Dvorana za doživetje čajne kulture se pričakuje, da bo čudovito, zgledno delo, opazno profesionalno in globoko inovativno. To oblikovanje, nagrajeno s Srebrno nagrado A' Design Award, je zelo opazen, občudovan izum, ki koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. Tea Culture Dvorana za doživetje čajne kulture je stvaritev, ki ji mnogi zavidajo, ki prebuja želje, prinaša pozitivna čustva in vzbuja začudenje in občudovanje.

V ozadju dizajna

Komplet za medije

Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.

Edinstvene lastnosti: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Dimenzije in embalaža: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Oznake: Tea Culture Exploration Hall
Proizvodna tehnologija: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Inspiracija: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Člani ekipe: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu