O le mamanu Gis Nofoa e Sepehr Mehrdadfar o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Ario i le Vaega Tauva Mamanu Meafale.

ArioMeafale· 2022

Gis Nofoa

na mamanuina e Sepehr Mehrdadfar

Tagata Fa'atau: Hamoun

Manumalo o le A' Design Award Ario i le Vaega Meafale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #105645

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Gis Nofoa

O Gis o se nofoa laupapa e tolu ona vae ma vae apamemea ma ua talaina mai paka walnut e lua ma se tomai faiga matagofie e foliga mai ai o se fa'atusa. Ua tu'u fa'aalia pea fusi ma aloa o le laupapa e tu'u atu ai i lenei mea se uiga fa'apitoa. E ui lava i lona foliga lē masani, o Gis e talafeagai lelei mo le tino ona o le fuafuaga fa'aeteete o pi'o ma tulimanu. O le mamanu o se su'esu'ega o mafai o le laupapa malo ma o se savali fo'i i le va o le Faatufugaga ma le Mamanu, Matagofie ma Galue.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Gis Nofoa, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Gis Nofoa e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Gis Nofoa o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Gis is a three-legged wooden chair with bronze feet and is carved out from two walnut logs with exquisite craftsmanship to seem as a sculpture. The wood knots and scars are remained exposed to give the objects a special characteristic. Despite its uncanny appearance, Gis is ergonomic due to the careful design of curves and angles. The design is an exploration of solid wood possibilities and also is a walk on the edge of "Art" and "Design", "Beauty" and "Function".
Fua & Fa'apipi'i: width 600mm
depth 1000 mm
height 800 mm
Fa'ailoga: Design, Chair, Furniture, Art, Persian, Contemporary
Tekonolosi Gaosiga: Materials: Walnut Solid Wood, Bronze.
Completely Handcrafted.
Lu'itau o le Mamanu: The holy grail of this design was to reach a sculptural Persian aesthetic as the sprit for the body of “furniture design”.
Su'esu'ega: This chair is a part of the Konj-e-Hess collection.
This collection is an exploration through which we try to answer a question: “Unrelated to the surrounding space, can we create objects that intrinsically radiate a place of their own, and create a “Konj-e-Hess”.
Konj-e-Hess was after a new measuring unit for aesthetics in design. Quite similar to how Iran and its culture sit in the middle on the world map, Konj-e-Hess tells a centrist narrative too. Somewhere on a sharp blade, it cuts off “tenacious design assumptions”; preconceived notions of the sort that “Media” inundates our minds with.
Fa'aosofia: Gis has odd yet familiar visual qualities. That is why it steals the spotlight and sets its own place. The main leg's dainty form is inspired by a girl's ponytail; the premise from which the chair takes its name from. In Farsi, "Gis" means the tumble of a woman’s hair.
Umi o le Poloketi: The project started in March 2019 and finished in September 2019 in Tehran, Iran and was exhibited as a part of "Konj-e-Hess" exhibition.
Fa'agasologa o Galuega: Gis has sculptural qualities in its presence in the interior space. This chair is designed with an artistic approach in design to be a "good chair" and also an elegence piece of "art".
Fa'aaloaloga o Ata: Main Image: Photo by Kaj Art Group
Image #1: Photo by Kaj Art Group
Image #2: Photo by Sepehr Mehrdadfar, Hamoun
Image #3: Photo by Sepehr Mehrdadfar, Hamoun
Image #4: Photo by Sepehr Mehrdadfar, Hamoun