Architectural Traces Tusi e Stjepko Rosin

O le mamanu Architectural Traces Tusi e Stjepko Rosin o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Uʻamea i le Vaega Tauva Mamanu Lolomi.

UʻameaLolomi· 2022

Architectural Traces Tusi

na mamanuina e Stjepko Rosin

Tagata Fa'atau: Naklada Boskovic

Manumalo o le A' Design Award Uʻamea i le Vaega Lolomi

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #126347

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Architectural Traces Tusi

Tuisi Faatufugaga o Faatulagaga o Fale (Architectural Traces) o se tusi e uiga i galuega a se tusiata fausaga fale (architect) mai Dalmatia. O le pito i fafo o le tusi e iai se itu faasee lea e foliga mai o se taualuga faatasi ma ma'a laupapa Roma masani pe a vaai mai i se mamao. A vaai lata mai, e faaalia mai le mamanu o ni ata mai se suesuega faamoemoega manetika (magnetic resonance scan) moni o le tuasivi o le tusiata fausaga fale. O lenei mea e va'aia se'i ese mai le mea moni e faasino atu i le mea natia ma tiga o loo lalafi i tua atu o fale e faamemelotia. O le tusi e fua i le 270 mm i le 270 mm i le 35 mm ma e lomiina i luga o pepa offset faatasi ma se noaina malosi ma leai se totogo i fafo. O le pito i fafo o le tusi e o'o atu i se tulaga faasee matala pe a faaaogaina.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Architectural Traces Tusi, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Architectural Traces Tusi e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Architectural Traces Tusi ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
Fua & Fa'apipi'i: Dimensions are 270 mm x 270 mm x 35 mm
Fa'ailoga: Book, Architecture, Spine, Traces, Dalmatian, Roman
Tekonolosi Gaosiga: The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
Lu'itau o le Mamanu: The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
Su'esu'ega: Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
Fa'aosofia: The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
Umi o le Poloketi: The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
Fa'agasologa o Galuega: The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
Fa'aaloaloga o Ata: Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021