O le mamanu Vestiges Cuff e Fatima Dahmani o se manumalo maualuga tele o le fa'ailoga mamalu 2023 A' Design Award Apamemea i le Vaega Tauva Mamanu Mea Teuteuga.

ApamemeaMea Teuteuga· 2023

Vestiges Cuff

na mamanuina e Fatima Dahmani

Tagata Fa'atau: Moucharabieh

Manumalo o le A' Design Award Apamemea i le Vaega Mea Teuteuga

16,803

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #141900

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Vestiges Cuff

O le toe fa'avasegaina o mea teuteu i Sasa'e e le gata i ona foliga masani, ae e aofia ai fo'i lona matagofie ma le fa'aosofiaga. O se toe faauigaga e fetaui ma aso nei, o le Vestiges cuff e foliga mai na maua mai i se eli o mea anamua, o se maa taua o loo i ai faailoga o le taimi ma mamanu ua tumu i palapala. O le autu o le hexagonal motif, faʻatulagaina i se fetu e ono-faʻailoga, e maua ai musumusuga mai fetu ma le lagi, e faʻaalia ai le manatu o le mana e le gata e pei ona vaʻaia i faatufugaga faʻa-Islam.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Vestiges Cuff, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Vestiges Cuff e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Vestiges Cuff e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: he different pieces of the Vestiges collection are interpreted as vestiges brought to light by an archaeological dig. Jewelry appears to have suffered the ravages of time, with patterns filled in by sediment or rings deformed by the pressure of sediment. The basic hexagonal pattern organized in a six-pointed star refers to the stars, and the sky, and its infinite repetition evokes the concept of infinite power in Islamic architecture.
Fua & Fa'apipi'i: For the small size (S): Height: 0.6 inches (15 mm), Width: 1.78 inches (45 mm), Diameter: 2.56 inches (65 mm), Length: 5.91 inches (150 mm). The bracelet can be custom-made and personalized upon order.
Fa'ailoga: 3D printing, jewellery, bracelet, gold, islamic pattern, design
Tekonolosi Gaosiga: This 3D lace jewelry was designed using jewelry software and then 3D printed in wax before being cast in 18K yellow gold. It can also be made in 18K white or rose gold.
Lu'itau o le Mamanu: The process involves designing complex 3D patterns and pushing the design to its technical limits in order to create delicate pieces that can be 3D printed in wax.
Su'esu'ega: Lines and curves create the patterns and subtle harmony of Moucharabieh jewelry. Their design is inspired by the richness of architecture and cultural history of creative lands, breaking free from boundaries to reveal unique intertwining designs. Each pattern is inspired by the art of Islamic geometric patterns found in ancient and contemporary architecture, representing a thousand-year-old heritage and creating high-end costume jewelry.
Fa'aosofia: A unique 3D design inspired by Islamic architecture that allows you to relive the experience of wonder that comes from discovering art with hypnotic properties: the art of Islamic geometric patterns. With this piece of jewelry, you will leave with the memory of a universal heritage captured by a jewel that shakes up traditional codes of Oriental jewelry with an innovative design.
Umi o le Poloketi: The project started in Lille (France) and finished in 2019.
Fa'agasologa o Galuega: Redefining Oriental jewelry, not just in terms of what it can be, but also in terms of its appearance and inspiration. A reinterpretation that is in line with contemporary times. New technologies are an integral part of the jewelry design process; they enable me to push the boundaries of design to its technical limits and create creations with intricate, captivating, and timeless patterns.