Alu sa'o i le anotusi
Soli Nofoa e João Demele

O le mamanu Soli Nofoa e João Demele o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Apamemea i le Vaega Tauva Mamanu Meafale.


ApamemeaMeafale· 2026

Soli Nofoa

na mamanuina e João Demele

Tagata Fa'atau: Morada Decor

Manumalo o le A' Design Award Apamemea i le Vaega Meafale

7,727

Lanu

Le Mamanu

E Uiga ia Soli Nofoa

O le Soli o se nofoa ua fuafuaina mo le nofonofo i aso uma. O le mamanu e faapaleni ai le ergonomics, le māmā o foliga vaaia ma le saʻo lelei o le fausaga. O le fausaga o le laau mautu e faia mai le laau Jequitiba na toe totōina ma maua mai i auala e tausisia ai le siosiomaga, faatasi ai ma suiga lamolemole ma faaauau i le va o vae, le nofoaga e nofo ai ma le faalagolago i tua. O le faalagolago i tua e piʻo ua ufiufi i le paʻu manu ma e taʻitaʻia ai le tulaga saʻo o le tino e aunoa ma se masini e fetuunai ai. O piʻoga e fetaui ma le tino ma le foam maualuga lona lelei e maua ai le mafanafana. O le masini o galuega faapisinisi e mautinoa ai le saʻo lelei, ae o le faamaeaina i lima e pulea lelei e faasaoina ai le mautu o mea faitino ma le tumau.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Soli Nofoa, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Soli Nofoa e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Soli Nofoa e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
The chair explores the balance between ergonomics visual lightness and structural precision resulting in a contemporary piece with sculptural presence. Its solid wood structure features smooth and continuous transitions between legs seat and backrest highlighting craftsmanship and technical mastery. The curved leather upholstered backrest gently supports the body while precise stitching and hand finishing reinforce material integrity and the uniqueness of each piece.
Fua & Fa'apipi'i
Width: 560 mm x Depth: 600 mm x Height: 840 mm. Height Seat: 460 mm.
Fa'ailoga
Wooden chair, Sustainable design, Ergonomic chair, Contemporary furniture, Organic curves, Eco-friendly materials, Brazilian Furniture, Brazilian Culture.
Tekonolosi Gaosiga
The chair production is guided by sustainability and industrial efficiency. It uses responsibly sourced reforested Jequitiba wood and components designed to reduce waste throughout manufacturing. The seat incorporates curves that adapt to human anatomy combined with high performance foam for comfort and support. Industrial machining ensures precision and repeatability while controlled manual finishing preserves material integrity and durability.
Lu'itau o le Mamanu
The main challenge was balancing ergonomics and form. Developing a continuous curved backrest capable of adapting to different bodies required extensive research, testing, and fine adjustments. Manufacturing the wooden structure demanded high technical precision to achieve organic forms and smooth transitions without compromising structural strength. Integrating wood and leather also required careful detailing to ensure durability, comfort, and consistent aesthetic quality in potential scaled production.
Su'esu'ega
This design project was developed through research into sustainable materials applied to contemporary furniture, combined with an understanding of function as an adaptive element responsive to different bodies and contexts. The design process integrated hand sketching, 3D modeling, and full-scale prototyping to refine form, structure, and ergonomics, particularly the backrest curvature. The combination of wood and leather references Brazilian modern furniture, positioning craftsmanship as the conceptual core of the object.
Fa'aosofia
The Soli chair inspire by a synthesis of form, identity, and materiality. Its design is structured as a continuous gesture, in which seat and backrest are unified through a single curve. Each curvature is carefully dimensioned to accommodate diverse body types, reflecting the plurality of Brazilian culture. Inspired by traditional wooden furniture and natural elements such as branches and animal horns, the combination of wood and leather emphasizes material honesty, lightness, stability, and tactile comfort, enhancing the users sensorial experience.
Umi o le Poloketi
The Soli chair was developed through close collaboration between designer and manufacturer with the objective of creating a chair that intuitively adapts to the human body. Completed in 2025 the project followed a rigorous development process with multiple prototypes ergonomic adjustments and formal refinements. The result is a contemporary chair that balances comfort aesthetic identity and production feasibility reflecting research collaboration and care in its creation.
Fa'agasologa o Galuega
The chair works as a single, continuous gesture. The seat supports the body, while the curved backrest approaches like an embrace, intuitively guiding posture. There are no adjustments or mechanisms: comfort comes directly from the form itself, which naturally adapts to different body types. The wooden structure sustains this movement with lightness and stability, transforming the act of sitting into a natural, welcoming, and efficient everyday experience.
Pateni
Unspecified
Sui o le 'Au
João Demele – Designer

Juliano Schmidt and Rafael Schmidt – Project approval
Juliano Schmidt and Luiz Eduardo Bossardi – Execution and prototyping
Fa'aaloaloga o Ata
Images developed by designer João Demele.

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