Alu sa'o i le anotusi
The Japanese Forest Pueata e Masaru Eguchi

O le mamanu The Japanese Forest Pueata e Masaru Eguchi o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Ario i le Vaega Tauva Mamanu Pu'eata.


ArioPu'eata· 2020

The Japanese Forest Pueata

na mamanuina e Masaru Eguchi

Tagata Fa'atau: Sunpono

Manumalo o le A' Design Award Ario i le Vaega Pu'eata

52,557

Lanu

Le Mamanu

E Uiga ia The Japanese Forest Pueata

O le vaomatua Iapani e ave mai se vaaiga Iapani lotu. O le tasi lotu Iapani anamua o Animism. Animism o se talitonuga o meaola e le o ni tagata, ola pea (minerale, artifacts, etc.) ma mea le vaaia e iai foi se faamoemoe. O le puʻeata e talitutusa lava i le nei. Masaru Eguchi na fanaina se mea na maua ai lagona i le mataupu. Laʻau, mutia ma minerale ua lagona le manaʻo o le olaga. Ma e oo lava i mea faʻatino e pei o faatanoa na tuua i le natura mo se taimi umi lagona le finagalo. E pei ona e vaʻai i le natura le paʻia, o le a vaʻai le lumanaʻi i le vaaiga nei.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai The Japanese Forest Pueata, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina The Japanese Forest Pueata e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. The Japanese Forest Pueata o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
"The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Fua & Fa'apipi'i
The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Fa'ailoga
Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Tekonolosi Gaosiga
The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Lu'itau o le Mamanu
The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Su'esu'ega
Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Fa'aosofia
One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Umi o le Poloketi
The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Fa'agasologa o Galuega
This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Pateni
Copyright: Masaru Eguchi
Fa'aaloaloga o Ata
Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.

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