Daxi Daxi Mutambo Wetsika Nemagariro naBIAS Architects and Associates

Dhizaini Daxi Daxi Mutambo Wetsika Nemagariro naBIAS Architects and Associates ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2021 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheChiitiko neMisangano.

SirivhaChiitiko· 2021

Daxi Daxi Mutambo Wetsika Nemagariro

na BIAS Architects and Associates

Mutengi: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheChiitiko

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Shanyira Saiti Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

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Dhizaini

Nezvekwa Daxi Daxi Mutambo Wetsika Nemagariro

Kubva 2018, BIAS yakagadzira nekuita mutambo wemadhorobha kubatsira Daxi taundishipi kugadzirira mhemberero dzechitendero dzenzvimbo iyi. Kazhinji, mitambo yeTaiwanese inochengetedza uye yakavakirwa patsika dzekumaruwa dzinoraira seti yakasimba yemitemo. Kugovera runako rwezvitendero zvechivanhu neruzhinji rwemumaguta, BIAS yakayananisa tsika nehurongwa hwemagadzirirwo ekupindira uye zviitiko zvinopa pop-tsika vibe kuchiitiko. Kunyanya, BIAS yakaita semuchengeti uye yakakoka akasiyana siyana maartist uye vagadziri kuti vabatane neavo vanochengetedza tsika dzekare.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Daxi Daxi Mutambo Wetsika Nemagariro, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Daxi Daxi Mutambo Wetsika Nemagariro inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Daxi Daxi Mutambo Wetsika Nemagariro chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Kukura & Kupakiwa: Total event area: 121,000 sqm
Matagi: festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Tekinoroji Yekugadzira: The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Changamire yeDhizaini: The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Tsvakurudzo: The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Chikurudziro: Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Nguva yePurojekiti: The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Mafambiro eBasa: The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Nhengo dzeTimu: Main Curator: BIAS Architects & Associates
Zvikwereti zveMifananidzo: Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018