Device of Perception Nzvimbo Yezvematunhu naYuting Zhang

Dhizaini Device of Perception Nzvimbo Yezvematunhu naYuting Zhang ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2022 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheAkitekicha, Zvivako neZvivakwa.

BronziAkitekicha· 2022

Device of Perception Nzvimbo Yezvematunhu

na Yuting Zhang

Mutengi: Yuting Zhang

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheAkitekicha

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Nezvekwa Device of Perception Nzvimbo Yezvematunhu

Device of Perception inzvimbo yezvematunhu iri muMexico City, iri pakati pedunhu rezvinhu zvekare rine zvivakwa zvakaderera nedunhu rezvekutengeserana rine zvivakwa zvirefu. Nzvimbo iyi inofukidza tsika dzinosvika 4500 masikweya mita uye ine imba yekunyorwa kwehurukuro, tiyeta diki, nzvimbo yekuratidzira zvinhu, mahofisi, nzvimbo yekuchengetedza zvinhu uye kafe. Purazha repamberi rakaburuka rinoparadzanisa chivako neyi mugwagwa mukuru une mutoro wevanhu uye rinoshanda sekuwedzera kwechikuva chemukati. Furor rimwe nerimwe reshongwe pfupi rakatenderedzwa kotara kana yakati zvishoma, richigadzira spiral yeimba yekuratidzira yeveruzhinji ine maonero akaisirwa emhando yeguta. Zvekusimbisa saimende akasimbiswa nesimbi inoshanduka nemamiriro ekunze zvinoshandiswa.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Device of Perception Nzvimbo Yezvematunhu, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Device of Perception Nzvimbo Yezvematunhu inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Device of Perception Nzvimbo Yezvematunhu inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Kukura & Kupakiwa: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Matagi: cultural center, gallery, theater, exhibition
Tekinoroji Yekugadzira: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Changamire yeDhizaini: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Tsvakurudzo: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Chikurudziro: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Nguva yePurojekiti: 2017 in Mexico City
Mafambiro eBasa: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Nhengo dzeTimu: Yuting Zhang
Zvikwereti zveMifananidzo: Yuting Zhang