Dhizaini New Year Mufananidzo naJui-Ping Lee ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2024 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheHunyanzvi hweDhijitari.

SimbiHunyanzvi hweDhijitari· 2024

New Year Mufananidzo

na Jui-Ping Lee

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheHunyanzvi hweDhijitari

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Nezvekwa New Year Mufananidzo

Muchivanze chakanyarara, pakati pechando chinowira zvinyoronyoro nemavara anopenya emashizha enguva yekudonha, pane chimiro chakanaka chakagara chakapfeka Kimono yakanaka kwazvo. Chiitiko ichi chinofungidzira musimboti weWabisabi, chinoratidza runako rwekuva wega nerunyararo. Dhizayini dzakanaka dzinoshonga jira, zvikuru Mipayini, inomiririra kunzva; uye Seigaiha ine mutsindo inomiririra runyararo rwegungwa. Kuwedzera kuona kunoratidza misimboti yakawanda yakaoma kunzwisisa, mahwendefa emabwe ane zita rekupeni remunyori ari kuruboshwe; uye pamusoro peKimono, dhizayini dzembeva dzinomiririra gore idzva 2020, gore rembeva.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne New Year Mufananidzo, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. New Year Mufananidzo inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, New Year Mufananidzo inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Kukura & Kupakiwa: Original dimensions at 5600*3150 px, with 935 canvas layers
Matagi: Illustration, Kimono, Furisode, Kouyou, Karesansui
Tekinoroji Yekugadzira: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Changamire yeDhizaini: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Tsvakurudzo: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Chikurudziro: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Nguva yePurojekiti: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Mafambiro eBasa: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.