Takanabe Ninomaru Muziyamu WeNhoroondo naTomohiro Kaji

Dhizaini Takanabe Ninomaru Muziyamu WeNhoroondo naTomohiro Kaji ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weGoridhe we A' Design Award muChikwata cheKukwikwidza cheNhaka yeChivanhu neIndasitiri yeChivanhu.

GoridheNhaka yeChivanhu· 2025

Takanabe Ninomaru Muziyamu WeNhoroondo

na Tomohiro Kaji

Mutengi: Takanabe Town Hall

Mukundi weMubairo weGoridhe we A' Design Award muChikwata cheNhaka yeChivanhu

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Mavara

Dhizaini

Nezvekwa Takanabe Ninomaru Muziyamu WeNhoroondo

Takanabe Historical Museum, yakavambwa muna 1986, yakarongwa patsva kuti igadzirise kuderera kwekuuya kwevashanyi nekuda kwezviratidzwa zvakambopfuura nguva. Kurongwa patsva kwakagamuchira JIN, uzivi hwetsitsi, kuchishandura nzvimbo iyi kuita nzvimbo yetsika nedzidzo inokudza kuzvikudza kwevagari. Kuburikidza nekutaurira nyaya nemaziso uye dhizaini yenzvimbo, kuvandudzwa kwakaunza kuronga kwemisoro, zviratidzwa zvinopindisa vanhu muzvirimo, uye mapanera eacrylic akaiswa pamwechete anoratidza kuenderera mberi kwenhau. Yakatumidzwa zita rinonzi NINOMARU History Museum, iye zvino inoshanda senzvimbo yekudyidzana apo nhaka, dzidzo, uye nharaunda zvinobatana.

Kuzivikanwa

Nezve Mubairo weGoridhe we A' Design Award

Mubairo weGoridhe we A' Design Award wakahwinwa ne Takanabe Ninomaru Muziyamu WeNhoroondo, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini ekutanga, anoshamisa uye akanakisa. Vakunda veGoridhe mabasa ane zvitsva zvakawanda, ane chiratidzo uye anopenya, anoratidza njere, uchenjeri nehunyanzvi hwevagadziri vawo. Takanabe Ninomaru Muziyamu WeNhoroondo inotarisirwa kuva chigadzirwa chinorumbidzwa kwazvo, chinoita mafambiro matsva uye chakakura, chinopa kukosha kusati kwamboonekwa. Dhizaini iyi yakahwina Mubairo weGoridhe we A' Design Award basa rinoshamisa, rinoremekedzwa, rinobatsira zvikuru uye rinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Takanabe Ninomaru Muziyamu WeNhoroondo inomutsa manzwiro akasimba ekuda, inomutsa mwoyo, inokurudzira kugadzira uye inotikwezva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Kukura & Kupakiwa: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Matagi: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Tekinoroji Yekugadzira: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Changamire yeDhizaini: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Tsvakurudzo: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Chikurudziro: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Nguva yePurojekiti: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Mafambiro eBasa: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Zvikwereti zveMifananidzo: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)