Embraced in Recycled Steel Dhizaini yeMukati meHofisi naNobuaki Miyashita

Dhizaini Embraced in Recycled Steel Dhizaini yeMukati meHofisi naNobuaki Miyashita ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

SirivhaMukati· 2025

Embraced in Recycled Steel Dhizaini yeMukati meHofisi

na Nobuaki Miyashita

Mutengi: Kyoei Steel Ltd.

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheMukati

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Dhizaini

Nezvekwa Embraced in Recycled Steel Dhizaini yeMukati meHofisi

Embraced in Recycled Steel idhizaini yemukati mehofisi yakavakwa nesimbi yakachengetedzwazve (recycled steel) inopiwa neKyoei Steel. Simbi dzemakona (angle steel), simbi dzekusimbisa (rebars), nesimbi dzakati sandara (flat bars) dzinosiiwa dzakashama kuti dzisimbise simba nemaonekero ezvinhu zvacho. Zvikamu zvechivako zvinowanzovanzwa zvinova nzvimbo huru dzerunako. Mifananidzo yebarcode neQR code inotambanuka nemadziro nemabhara emanera, ichibatanidza nzvimbo iyi nechimiro chekambani. Malouver edenga akagadzirwa nesimbi anobata mwenje weLED wakatwasuka usina mubatanidzwa unoratidza pachena mifananidzo iyi. Mukati uyu unoratidza mukana wezvinhu zvakashandiswazve munzvimbo yebasa yemazuva ano.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Embraced in Recycled Steel Dhizaini yeMukati meHofisi, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Embraced in Recycled Steel Dhizaini yeMukati meHofisi inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Embraced in Recycled Steel Dhizaini yeMukati meHofisi chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This office interior transforms Kyoei Steel’s recycled steel—angle steel, rebars, and flat bars—into a refined architectural expression. Typically hidden elements become aesthetic highlights, emphasizing material strength and texture. Barcode and QR code motifs extend across the space, visually linking to Kyoei Steel’s corporate identity. Lighting enhances these patterns, creating a dynamic interplay between recycled steel, technology, and light.
Kukura & Kupakiwa: Site Area: 108,045.44 Square meters
Building Area: 1,091.12 Square meters
Total Floor Area: 3,931.89 Square meters
Structure: RC
Number of Floors: 4 above ground
Maximum Height: 19.9 m
Eaves Height: 16.5 m
Floor Height: 3.9 m
Ceiling Height: 2.9 m
Matagi: architecture, office, lighting design, recycled steel, sustainable design
Tekinoroji Yekugadzira: The office interior features angle steel, rebars, and flat bars as exposed materials, emphasizing their structural and aesthetic qualities. Barcode motifs, derived from Kyoei Steel’s website, are embedded in wall finishes and stair railings, linking physical space to digital branding. The ceiling’s steel louvers incorporate billet-shaped seamless LED lighting, reinforcing a cohesive design language that blends recycled materials with innovative illumination.
Changamire yeDhizaini: The primary challenge was redefining recycled steel’s role in architecture beyond its conventional industrial use. Integrating angle steel, rebars, and flat bars as visible elements required precise detailing and innovative finishing techniques. Additionally, balancing material authenticity with a refined aesthetic posed a design challenge. Regulatory constraints, production limitations, and ensuring harmony between raw steel textures and digital motifs, such as barcode patterns, demanded extensive prototyping and iterative design development.
Tsvakurudzo: Type of Research: Applied Design Research
Objective: To explore the aesthetic and functional integration of recycled steel in office interiors.
Methodology: Material experimentation, spatial simulations, and lighting analysis.
Data Collection: Prototype testing and digital modeling.
Participants: Architects, engineers, and Kyoei Steel stakeholders.
Results & Insights: The research highlighted the potential of exposed steel as a design element, demonstrating its structural beauty and reinforcing corporate identity. The study advanced sustainable interior design, influencing material reuse practices in industrial architecture.
Chikurudziro: The design embodies the lifecycle of steel recycling while visually integrating Kyoei Steel’s digital identity. Barcode and QR code patterns, inspired by the company’s website, appear throughout the space, symbolizing the transformation of raw materials into structured design. By exposing and celebrating recycled steel, the project creates a unique spatial narrative, merging industrial heritage with a contemporary digital aesthetic.
Nguva yePurojekiti: The project commenced in early 2022 in Yamaguchi, Japan, with design and planning phases focused on integrating Kyoei Steel’s identity into the architecture. Construction began in mid-2023, aiming to unify office functions while enhancing operational efficiency and employee engagement. The office was completed in early 2024, creating a sustainable workspace that embodies the company’s commitment to steel recycling and innovation.
Mafambiro eBasa: The office interior integrates barcode and QR code motifs, linking the space to Kyoei Steel’s corporate identity. These patterns, expressed in wall treatments and stairwell designs, create an interactive experience, guiding movement through the space. The ceiling’s steel louvers diffuse light while reinforcing the visual continuity of barcode-inspired elements. This design transforms an industrial material narrative into a contemporary, high-tech environment.
Mapetenzi: N/A
Nhengo dzeTimu: N/A
Zvikwereti zveMifananidzo: Image #1,#2 : Photographer Nobuaki Miyashita Variations, 2024
Image #3,#4,#5 : Photographer Sato Kenta, Variations, 2024.