Floral Album Muunganidzwa weFashoni naXinyu Zheng

Dhizaini Floral Album Muunganidzwa weFashoni naXinyu Zheng ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheFashoni, Zvipfeko neMbatya.

SimbiFashoni· 2026

Floral Album Muunganidzwa weFashoni

na Xinyu Zheng

Mutengi: Tulip 'n room

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheFashoni

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Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#177958

Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

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Dhizaini

Nezvekwa Floral Album Muunganidzwa weFashoni

Floral Album muunganidzwa wefashoni wakafemerwa nemifananidzo yemhuri kubva kumakore ekuma1980. Muunganidzwa uyu wakagadzirwa kubva kumicheka isina kushandiswa (deadstock) yakasanganiswa nemaitiro akati wandei ekugadzira nemaoko. Kusonera nemaoko, kuruka necrochet, kuisa mabhidzi, kuruka nekusonera kwecross stitch zvinoshandiswa pavhelvheti nepamicheka inoonekera yakaturikidzaniswa. Zvishongedzo zvakarukwa necrochet nezvidimbu zvakarukwa zvine zvinhu zvesequin zvinobata chiedza apo anopfeka achifamba. Chipfeko chimwe nechimwe chinogadzirwa chega, saka hapana chidimbu chinodzokororwa. Zvidimbu zvese zvine saizi yakasununguka. Muunganidzwa uyu unobatanidza basa remaoko rakadzama nekushandiswa patsva kwezvinhu zvisingakoshesiwi.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Floral Album Muunganidzwa weFashoni, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Floral Album Muunganidzwa weFashoni inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Floral Album Muunganidzwa weFashoni inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Kukura & Kupakiwa: All the pieces are free size.
Matagi: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Tekinoroji Yekugadzira: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Changamire yeDhizaini: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Tsvakurudzo: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Chikurudziro: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Nguva yePurojekiti: This project was initiated in April 2023 and completed in September 2024 in New York.
Mafambiro eBasa: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Mapetenzi: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Nhengo dzeTimu: /
Zvikwereti zveMifananidzo: Stefy Lin, 2024.