Dhizaini GGO Biomorphic Basa Rekutanga: Fenicha Yemuhoro Wekupinda naYoko Komatsu and Hajime Tokura ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weGoridhe we A' Design Award muChikwata cheKukwikwidza cheDhizaini yeFenichara.
GoridheFenichara· 2026
GGO Biomorphic Basa Rekutanga: Fenicha Yemuhoro Wekupinda
na Yoko Komatsu and Hajime Tokura
Mutengi: Grand Green Osaka JV Group
Mukundi weMubairo weGoridhe we A' Design Award muChikwata cheFenichara
Mukundi weMubairo Akasimbiswa
Simbisa Mamiriro eMubairo we#180101Dhizaini
Nezvekwa GGO Biomorphic Basa Rekutanga: Fenicha Yemuhoro Wekupinda
Zvakanyorwa: Iri riri muGrand Green Osaka, benji iri rakaita semhando yezvipenyu rakareba mamita gumi nematanhatu rakagadzirwa nemuti weJapanese oak. Kugadzirwa kwedhijitari kwepamusoro kunoshandiswa kubatanidza zvidimbu zvinopfuura zviuru zvitanhatu kuita zviuru makumi maviri nemapfumbamwe zvinhu zvakasikwa. Zvose zvekusunga zvesimbi zvakabudirira kuvanzwa nesystem yekusanganisa yakavanzika. Mune iyi fenicha yeruzhinji yakaita sechivezwa, unyanzvi hwechinyakare hwemaoko hwakasanganiswa nedhizaini yekombiyuta yeparametric. Yakagadzirirwa kushanda sebenji rekuzorora uye sechigadziko chezvirimwa mukati menzvimbo yemuhoro wekupinda.
Kuzivikanwa
Nezve Mubairo weGoridhe we A' Design Award
Mubairo weGoridhe we A' Design Award wakahwinwa ne GGO Biomorphic Basa Rekutanga: Fenicha Yemuhoro Wekupinda, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini ekutanga, anoshamisa uye akanakisa. Vakunda veGoridhe mabasa ane zvitsva zvakawanda, ane chiratidzo uye anopenya, anoratidza njere, uchenjeri nehunyanzvi hwevagadziri vawo. GGO Biomorphic Basa Rekutanga: Fenicha Yemuhoro Wekupinda inotarisirwa kuva chigadzirwa chinorumbidzwa kwazvo, chinoita mafambiro matsva uye chakakura, chinopa kukosha kusati kwamboonekwa. Dhizaini iyi yakahwina Mubairo weGoridhe we A' Design Award basa rinoshamisa, rinoremekedzwa, rinobatsira zvikuru uye rinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. GGO Biomorphic Basa Rekutanga: Fenicha Yemuhoro Wekupinda inomutsa manzwiro akasimba ekuda, inomutsa mwoyo, inokurudzira kugadzira uye inotikwezva.
Shure kweDhizaini
Bepa Renhau
Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.
- Hunhu Hwakasiyana
- This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
- Kukura & Kupakiwa
- Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
- Matagi
- Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
- Tekinoroji Yekugadzira
- The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
- Changamire yeDhizaini
- The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
- Tsvakurudzo
- Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
- Chikurudziro
- Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
- Nguva yePurojekiti
- The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
- Mafambiro eBasa
- Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
- Mapetenzi
- Copyrights belong to KOKUYO Co., Ltd., 2025.
- Nhengo dzeTimu
- Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao - Zvikwereti zveMifananidzo
- Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
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