Dhizaini House In Mise Imba naTomomi Omachi ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheAkitekicha, Zvivako neZvivakwa.

BronziAkitekicha· 2026

House In Mise Imba

na Tomomi Omachi

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheAkitekicha

6,368

Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#182293

Shanyira Saiti Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

Mavara

Dhizaini

Nezvekwa House In Mise Imba

Imba iri muMise ivandudzo yeimba yechinyakare yekumaruwa eJapan iri mumupata werwizi muMitsuse, Dunhu reSaga. Chirongwa ichi chinodzorera kujeka kwenzvimbo kwechivako chepakutanga chematanda pachinobatanidza zvakare upenyu hwezuva nezuva nesango rakapoteredza nemvura inoyerera. Maburi akaiswa nokungwarira, mafuro akadzika, uye nzvimbo dzinopfuurwa dzakaturikidzana zvinobvumira chiedza, mumvuri, uye kuchinja kwemwaka kuti zviumbe mamiriro emukati. Zvinhu zvinowanikwa munzvimbo iyoyo zvinosanganisira cedar, hinoki cypress, tsanga, granite, uye shoji dzakagadzirwa nemaoko zvinosimbisa kuenderana nemamiriro ekunze uye uchokwadi hwezvinhu zvinoshandiswa.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne House In Mise Imba, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. House In Mise Imba inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. House In Mise Imba inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This project is a renovation of a traditional Japanese rural house that reorients daily living toward forest and river through spatial layering, light modulation, and material authenticity. By retaining the existing timber structure and integrating engawa-like thresholds with locally sourced materials, it achieves environmental continuity, sensory depth, and long-term sustainability.
Kukura & Kupakiwa: Renovation of an existing traditional Japanese timber residence located in Mitsuse, Saga Prefecture, Japan. The project preserves the original wooden structural frame while introducing new timber openings, shoji-lined windows, and expanded terraces. Materials include local cedar columns, knot-free hinoki flooring, reed ceilings, and granite paving. Passive environmental strategies include cross-ventilation, deep eaves, and interior–exterior continuity to moderate seasonal climate conditions.
Matagi: Architectural renovation, Residential architecture, Adaptive reuse, Japanese architecture, Engawa reinterpretation, Landscape-integrated design, Climate-responsive architecture, Material authenticity
Tekinoroji Yekugadzira: The project was realized through adaptive reuse of an existing post-and-beam timber structure, retaining approximately 80% of the original frame. Traditional Japanese carpentry and joinery were combined with precise contemporary detailing to recalibrate openings, deep eaves, and spatial thresholds. Locally sourced cedar, hinoki cypress, reed, granite, and handcrafted shoji paper were integrated to ensure climatic compatibility, material longevity, and seamless interior–exterior continuity.
Changamire yeDhizaini: The primary challenge was reconciling contemporary living requirements with the preservation of a deteriorated traditional timber structure whose original spatial coherence had been lost through incremental alterations. Structural limitations, regulatory constraints on renovation, and climatic demands of a humid mountain valley required precise intervention. The project demanded selective demolition, careful structural repair, and the reinterpretation of traditional spatial principles to restore environmental continuity without erasing historical character.
Tsvakurudzo: Type of Research: Contextual architectural design research.
Research Objectives: To explore how traditional Japanese architecture can reconnect daily life with nature.
Methodology: Long-term site observation and iterative renovation design.
Data Collection and Tools: Climate analysis, spatial studies, material testing, and architectural drawings.
Participants: Architect and client collaboration over five years.
Results: A restored house integrating light, river, forest, and seasonal change.
Insights and Impact: Demonstrates how culturally rooted renovation can improve well-being and sustainable living.
Chikurudziro: The project was inspired by traditional Japanese residential architecture, where light, shadow, and seasonal change shape daily life, and by the site’s forested river landscape in Mitsuse, Saga Prefecture. The client’s desire for refuge from urban intensity prompted a research-based approach to spatial layering, engawa reinterpretation, and material authenticity, integrating climate-responsive design and local craftsmanship to restore continuity between dwelling and nature.
Nguva yePurojekiti: The project is located in Mitsuse, Saga Prefecture, Japan, within a mountainous river valley in northern Kyushu. Design development and construction were carried out as a comprehensive renovation process, with the project completed in 2025 following an extended period of site analysis, design coordination, and on-site craftsmanship.
Mafambiro eBasa: The house is experienced through a gradual sequence between interior and nature. Large sliding openings connect the lounge, dining area, and guest spaces to terraces facing the river and surrounding forest. Light, wind, and seasonal landscape continuously transform the atmosphere throughout the day. The design encourages slow movement and quiet observation, allowing daily life to unfold in direct relationship with natural sound, light, and climate.
Mapetenzi: Architectural design copyright: Tomomi Omachi / tou., 2026. Photographs copyright: Tatsuya Tabii, 2026.
Nhengo dzeTimu: Tomomi Omachi
Zvikwereti zveMifananidzo: Image #1: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #2: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #3: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #4: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #5: Photographer Tatsuya Tabii, House in Mise, 2025.