Great Blue Hole Chuma chemuhuro naJung Ki Min

Dhizaini Great Blue Hole Chuma chemuhuro naJung Ki Min ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheDhizaini yeZvishongo.

BronziZvishongo· 2026

Great Blue Hole Chuma chemuhuro

na Jung Ki Min

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheZvishongo

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Mavara

Dhizaini

Nezvekwa Great Blue Hole Chuma chemuhuro

Great Blue Hole chuma chemuhuro chakafemerwa negomba guru remugungwa rine zita rimwe chetero kuBelize. Dhizaini iyi inoshandura mamiriro makuru enyika echisikigo kuita chimiro chinopfekwa chakavezwa. Zvikamu zvesimbi zvakaturikidzana zvakasimudzwa pawaya dzine urefu hwakasiyana-siyana kuti zvigadzire hukuru nekudzika kwechimiro. Kucheka nesaha, kukanda simbi, kuisa enamel, kuisa matombo, kurova nekuumba simbi ndizvo zvakashandiswa kuvaka zviumbwa nemhando dzepamusoro. Chuma ichi chine upamhi hwe130 mm, kudzika kwe15 mm neurefu hwe75 mm, netambo yemaparera ine 450 mm. Kufamba kwemuviri kunofambisa chiedza pamusoro pezvikamu zvakaturikidzana.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Great Blue Hole Chuma chemuhuro, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Great Blue Hole Chuma chemuhuro inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Great Blue Hole Chuma chemuhuro inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Kukura & Kupakiwa: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Matagi: silver, necklace, jewelry, natural
Tekinoroji Yekugadzira: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Changamire yeDhizaini: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Tsvakurudzo: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Chikurudziro: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Nguva yePurojekiti: The project started in August 2018 in New York, USA, and was completed in May 2019.
Mafambiro eBasa: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Zvikwereti zveMifananidzo: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.