Haven of Echoes Kugadzirwa kweMukati meImba yekugara naKirstin Fu-Ying Wang

Dhizaini Haven of Echoes Kugadzirwa kweMukati meImba yekugara naKirstin Fu-Ying Wang ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

SimbiMukati· 2026

Haven of Echoes Kugadzirwa kweMukati meImba yekugara

na Kirstin Fu-Ying Wang

Mutengi: Spaceblossom Design

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheMukati

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Nezvekwa Haven of Echoes Kugadzirwa kweMukati meImba yekugara

Haven of Echoes iimba yekugara yemukati inoshandura ndangariro dzemunhu kuti dzive chikamu chinoshanda cheupenyu hwezuva nezuva. Mabhuku, fenicha yenhaka, uye zvinhu zvakaunganidzwa zvakaiswa mukati mefambiro yemuimba, nzvimbo dzekuchengetera, uye nzira dzekuratidzira, zvichigadzira imba iyo ndangariro netsika dzezuva nezuva zvinogarisana. Kupedziswa kwemadziro kwediatomaceous earth kunofema kunodzora hunyoro uye kunotora hwema hwekicheni, zvichibatsira kuchengetedza fenicha yenhaka yakagadziridzwa uye miunganidzwa yemabhuku, uku zvichichengeta nzvimbo dzekicheni, dzekudyira, uye dzekugarira dzakavhurika uye dzakabatana. Imba iyi ine hukuru hwemamita mativi anosvika 130, ine madziro emabhuku akagadzirirwa zvakakwirira kusvika kumamita 3.5.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Haven of Echoes Kugadzirwa kweMukati meImba yekugara, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Haven of Echoes Kugadzirwa kweMukati meImba yekugara inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Haven of Echoes Kugadzirwa kweMukati meImba yekugara inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Haven of Echoes redefines the residence as a living archive where memory objects actively shape spatial experience. Books, heirloom pieces, and collected artifacts are embedded into circulation, display, and storage systems, allowing personal history to unfold naturally through daily life. The integration of breathable diatomaceous earth walls enhances environmental comfort while preserving openness across the kitchen, dining, and living zones.
Kukura & Kupakiwa: The residence spans approximately 130 square meters, organized into open-plan kitchen, living, and dining zones. Ceiling heights range from 2.7 to 3.2 meters to maximize daylight and openness. Custom book walls rise to 3.5 meters with a 1.2-meter depth, integrating storage and circulation. The central island measures 2.4 by 1.5 meters, while breathable diatomaceous wall finishes support passive odor absorption and humidity regulation.
Matagi: Haven of Echoes, Residential Interior, Living Archive, Open Plan Living, Ritual Island, Memory Driven Space, Diatomaceous Earth Wall, Integrated Storage, Passive Odor Control, Heirloom Preservation
Tekinoroji Yekugadzira: The project combines breathable diatomaceous earth wall finishes, custom millwork, integrated book walls, and precision carpentry to support both environmental performance and long-term storage needs. Timber veneer, mineral plaster, steel detailing, and restored heritage furnishings were carefully coordinated to balance material warmth, durability, and preservation of personal collections within the open-plan residence.
Changamire yeDhizaini: The main challenge was integrating heirloom furniture, books, and travel collections into an open-plan home without disrupting clarity, openness, or preservation requirements. Balancing social interaction, historical context, and material performance required careful coordination of circulation, storage depth, and breathable wall technologies, resulting in a residence that supports both emotional resonance and functional precision.
Tsvakurudzo: This qualitative residential design study investigated how personal memory and collected artifacts can become part of everyday life. Research focused on circulation behavior, domestic rituals, and preservation needs through homeowner interviews, observation, and material testing. Findings informed a spatial strategy that improves usability, passive environmental comfort, and long-term heritage preservation, demonstrating how memory-driven interiors can enrich both daily living quality and emotional continuity.
Chikurudziro: The project began with the idea that memory should be lived with rather than stored away. The homeowners’ books, inherited furniture, and travel artifacts collected across Europe inspired a spatial study on how personal history can be woven into everyday domestic rituals. The design also explored how an open-plan kitchen and living environment could remain visually connected while improving odor absorption and humidity balance through breathable diatomaceous earth wall finishes.
Nguva yePurojekiti: The project started in September 2025 and was completed in December 2025 in Taoyuan, Taiwan.
Mafambiro eBasa: Daily life is organized as a layered sequence that begins at the entrance threshold, transitions through curated storage and display zones, and opens into a ritual-centered kitchen, dining, and living environment. The central island anchors cooking, gathering, and conversation, while continuous circulation pathways create intuitive movement and visual continuity. This flow transforms ordinary routines into shared domestic rituals shaped by memory and interaction.
Mapetenzi: Copyrights belong to Kirstin Fu-Ying Wang, 2026.
Nhengo dzeTimu: Kirstin Fu-Ying Wang