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El_Masnad Chigaro Chekugara Pasi Chekapeti naSana Alabdulwahed

Dhizaini El_Masnad Chigaro Chekugara Pasi Chekapeti naSana Alabdulwahed ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2016 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheDhizaini yeFenichara.


SirivhaFenichara· 2016

El_Masnad Chigaro Chekugara Pasi Chekapeti

na Sana Alabdulwahed

Mutengi: Sana Alabdulwahed

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheFenichara

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Nezvekwa El_Masnad Chigaro Chekugara Pasi Chekapeti

El_Masnad ndechigaro chekugara pasi chakagadzirirwa makamuri ekugara. Basa rekugadzira rinotora chinotsigira ruoko, chinhu chinokosha muzvipfeko zvechinyakare zveSaudi, richichishandisa sechinhu chikuru chechigaro, apo zvimwe zvose zvinowanikwa muchigaro chakajairika zvinobviswa. El_Masnad inochengeta vashandisi vari padyo nepasi, saka kugara kunonzwika kuri kutamba uye kunongoita zvachose. Zvidimbu izvi hazvina kumiswa kunotsanangurwa, uye zvinogona kubatanidzwa munzira dzakawanda. Chinhu chikuru chefomu chinoumbwa nekuchekwa kwewaya inopisa yeaxis shanu uye chakaputirwa mune felt yakasonwa, sekapeti yakakunjika.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne El_Masnad Chigaro Chekugara Pasi Chekapeti, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. El_Masnad Chigaro Chekugara Pasi Chekapeti inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. El_Masnad Chigaro Chekugara Pasi Chekapeti chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana
Armrests, traditionally, initiates nodes where the space is highly activated in Saudi Arabia. El_Masnad uses armrest as the main component for seating unit and neglect all other parts of a seating device. El_Masnad brings the users close to the ground, so it is much more playful and intuitive for this demographic. It allows the Sitting behaviors to emerge organically and intuitively in many different configurations.
Kukura & Kupakiwa
For one set, a pair of two pieces: w 335cm X d 180cm X h 30cm
For two sets, two pairs of two pieces, four pieces: w 470cm X d 180cm X h 30cm
Weight: 12 kg
Matagi
outdoor, livingroom, carpet, local
Tekinoroji Yekugadzira
Manufacturing includes:
5-axis hot wire milling for filling foam.
CNC stitching on felt for generated pattern design.
The upholstery roll up around the foam like the traditional way of rolling a carpet. Felt was used as contemporary alternative material for traditional wool carpets.
El_Masnad is not made of any hard material that may create an obstacle in the space. It rather made with soft materials where circulation can take place.
Changamire yeDhizaini
One of the most difficult challenges was finding Saudi women willing to participate in taking pictures. The Second challenge was to see the demographic dramatic lifestyle changes as an outsider, which is critical to synthesize the research findings for the design outcome. Lastly, was Understanding the relationship between the designers, makers and consumers.
Tsvakurudzo
Perception of Saudis: The appropriate perception of personal space in the Arab world is when there is a strong eye and physical contact while conducting conversation, therefore, the pieces fit together, interlocking making contact easy and intuitive. Arab appreciate complex geometrical forms, and a boxy forms may look naïve, Therefore, the traditional armrest outline was converted into an irregular polygon. Arab view forms with considering the harmonious interplay of forms, so the perception of balance is achieved when two of non-linear El-Masnad are put together.
Chikurudziro
We, Saudi’s end up sitting on the ground every time though there is a typical seating device in the living room. This sparked my curiosity, and inspired to create a the living room that is intuitive for us.
El Masnad design embraces the floor as a living space and it celebrates the Middle Eastern leisure culture.
Nguva yePurojekiti
el-Masnad was made for a thesis study at Art Center College of Design in Pasadena, CA, U.S.A. It was part of the Master program in Environmental design, in Furniture and Fixtures track.
Thesis started with winter term of 2014 and ended by the end of the Spring 2015. The first prototype was presented at the graduate show on April 18th of 2014.
Mafambiro eBasa
The orientation:
The development of new technologies, like tablets, eliminates the need for seating units in the living room to face t.v. wall. Therefore, the layout of El_Masnad coming together, is not oriented and does not have a direction. It integrates multiple users doing different activities.
The height:
El_Masnad is close to the ground, so it is playful and intuitive for this demographic. It makes the space feels higher.
The posture:
Sitting behaviors emerges organically and intuitively in all different situations. In addition, the users intuitively adapt new sitting position as time goes by.
The angle:
El_Masnad emphasizes the front angle for reclining instead of what is typical of using the side angle to address the variable reclining angles.

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