The Japanese Forest Kutora Mifananidzo naMasaru Eguchi

Dhizaini The Japanese Forest Kutora Mifananidzo naMasaru Eguchi ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2020 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheFotogirafi neKugadzira Mifananidzo.

SirivhaFotogirafi· 2020

The Japanese Forest Kutora Mifananidzo

na Masaru Eguchi

Mutengi: Sunpono

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheFotogirafi

52,557

Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#95058

Shanyira Saiti Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

Mavara

Dhizaini

Nezvekwa The Japanese Forest Kutora Mifananidzo

Sango reJapan rinotorwa kubva mune yechitendero chechiJapan. Imwe yevanamato vekare veJapan mweya. Mhuka kutenda kwekuti zvisikwa zvisiri vanhu, zvichiri hupenyu (zvicherwa, zvekuveza, nezvimwewo) uye zvisingaonekwi zvinhu zvine zvakare chinangwa. Photography yakafanana neiyi. Masaru Eguchi ari kupfura chimwe chinhu chinoita kuti vanzwe muchinhu ichi. Miti, huswa uye zvicherwa vanonzwa kuda kwehupenyu. Uye kunyange zvigadzirwa zvekugadzira zvakadai semadhamu akasara mune zvakasikwa kwenguva yakareba anonzwa kuda. Sezvo iwe paunoona izvo zvisati zvawanikwa, ramangwana richaona mamiriro aripo.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne The Japanese Forest Kutora Mifananidzo, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. The Japanese Forest Kutora Mifananidzo inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. The Japanese Forest Kutora Mifananidzo chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Kukura & Kupakiwa: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Matagi: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Tekinoroji Yekugadzira: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Changamire yeDhizaini: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Tsvakurudzo: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Chikurudziro: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Nguva yePurojekiti: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Mafambiro eBasa: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Mapetenzi: Copyright: Masaru Eguchi
Zvikwereti zveMifananidzo: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.