Ceramics Extension Rakibaadda Farshaxanku oo uu sameeyey Tairan Hao and Shan Xu

Naqshadda Ceramics Extension Rakibaadda Farshaxanku oo uu sameeyey Tairan Hao and Shan Xu waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Farshaxanka Wanaagsan iyo Rakibaadda Farshaxanka ee 2020 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasFarshaxan· 2020

Ceramics Extension Rakibaadda Farshaxanku

Tairan Hao and Shan Xu uu sameeyay

Macmiilka: Tairan Hao

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Farshaxan

18,499

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #104079

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Ceramics Extension Rakibaadda Farshaxanku

Rakibaadda waxaa sameeyay farshaxannada gacanta ee hore ee farsamada gacanta iyo farshaxan 3D caag ah oo daabacan. Farshaxanimada iyo nashqadeedu waxay isku dayayaan inay dareen cabsi leh ku dhagaystaan dhagaystayaasha in shay walboo, qofkasta, waxkasta la kordhiyo si aan xad lahayn. Jiritaanka shaashadda, waxay gudbineysaa qayb ka mid ah walxaha ay u arkaan inay dhab yihiin, laakiin walxaha kale waa milkiilaha muraayadaha, taas oo aan macquul ahayn. Is dhexgalka ayaa ka dhigaya dadka inay u maleeyaan inay u socdaan adduunyo khiyaali ah oo naftooda loo abuuray.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Ceramics Extension Rakibaadda Farshaxanku waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Ceramics Extension Rakibaadda Farshaxanku waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Ceramics Extension Rakibaadda Farshaxanku si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
Cabbirka & Qaabaynta: half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
Summado: Installation, Art, 3D Printing, Ceramics, Sculpture
Tiknoloojiyada Soo Saarka: 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
Caqabadda Naqshadda: The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
Cilmi-baadhis: The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
Dhiirrigelinta: The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
Muddada Mashruuca: The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
Socodka Hawlgalka: When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
Shatiyada: Copyrights belong to Shan Xu and Tairan Hao, 2017
Xubnaha Kooxda: Designer: Shan Xu
Artist: Tairan Hao
Amaanta Sawirrada: Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017