Esfahan Buundo Lugeynta oo uu sameeyey Mohammad Rahimizadeh and Shaqayeq Nemati

Naqshadda Esfahan Buundo Lugeynta oo uu sameeyey Mohammad Rahimizadeh and Shaqayeq Nemati waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qaab-dhismeedka, Dhismaha iyo Qaab-dhismeedyada ee 2022 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasQaab-dhismeed· 2022

Esfahan Buundo Lugeynta

Mohammad Rahimizadeh and Shaqayeq Nemati uu sameeyay

Macmiilka: Kalbod Studio

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Qaab-dhismeed

21,690

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #137566

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Esfahan Buundo Lugeynta

Esfahan waa buundo lugeyn loo naqshadeeyay goob ku taalla Isfahan, Iran. Buundadu waxay isku xirtaa xarun ganacsi oo teknoloji ah iyo beer madal ah, waxayna u adeegtaa jaamacadaha, machadyada cilmi-baarista, iyo warshadaha ku dhow. Hoolalka bandhigga, barxadaha dhexe, iyo goobaha nasashada ayaa lagu kala dhigay jidka, taasoo ka dhigaysa gudubkan inuu sidoo kale u shaqeeyo sida meel bulsheed. Qaabku wuxuu tixraacayaa buundooyinka taariikhiga ah ee Isfahan, oo ay ku jiraan buundada Khajoo. Isimaanta ifafaale ah ayaa la isticmaalay, sidaas darteed dusha hore iyo muuqaalkeeda webiga ku dhex muuqda waxay sameeyaan hal qaab oo dhamaystiran. Meelaha gudaha waa kuwo dabacsan waxaana lagu qaban karaa isticmaalo kala duwan.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Esfahan Buundo Lugeynta waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Esfahan Buundo Lugeynta waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Esfahan Buundo Lugeynta si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Cabbirka & Qaabaynta: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Summado: Technology , bridge , Exhibition , Recreational , tourism , iran
Tiknoloojiyada Soo Saarka: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Caqabadda Naqshadda: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Cilmi-baadhis: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Dhiirrigelinta: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Muddada Mashruuca: esfahan - iran
Socodka Hawlgalka: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Xubnaha Kooxda: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -