Naqshadda Taj Jijin oo uu sameeyey Fatima Dahmani waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Dahabka iyo Xardhanka ee 2023 Abaalmarinta Birta ah ee A' Design Award.

BirDahab· 2023

Taj Jijin

Fatima Dahmani uu sameeyay

Macmiilka: Moucharabieh

Ku Guuleystaha Abaalmarinta Birta ah ee A' Design Award ee Qaybta Dahab

15,309

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #141765

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Taj Jijin

Dib-u-qeexidda dahabka Oriental kuma koobna qaababkeeda caadiga ah, laakiin sidoo kale waxay koobaysaa bilicdeeda iyo awooddeeda dhiirrigelineed. Gacanka Taj, oo leh qaab joomatari fudud oo soo bandhiga si uu u muujiyo shalash 3D xiiso leh, waxay ku dhiirigelisaa haweenka inay qaataan geesinimadooda oo ay u daayaan shakhsiyadooda gudaha ah. Ka faa'iidaysiga tignoolajiyada cusub ee 3D, naqshaddu waxay riixaysaa xuduudaha hal-abuurka farsamada si ay u bixiso hal-abuur leh qaabab qalafsan oo aan waqti lahayn. Gacanka Taj waa jawharad leh sifooyin hypnotic ah, oo qabsanaya nuxurka dhaxalka caalamiga ah iyada oo loo marayo naqshadeeda cusub.

Aqoonsiga

Wax ku saabsan Abaalmarinta Birta ah ee A' Design Award

Taj Jijin waa guuleystaha Abaalmarinta Birta ah ee A' Design Award, aqoonsi sharaf leh oo la siiyo naqshado wanaagsan oo buuxiya shuruudaha xirfadeed iyo kuwa warshadeed ee laga filayo hal-abuurro si wanaagsan loo naqshadeeyay. Guuleystayaasha Birta waxay muujiyaan xirfad weyn, takhasus sare, fahan khabiir iyo awood hal-abuur oo abuurayaashooda. Taj Jijin waa hal-abuur la filayo inuu noqdo mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, wax ku ool ah oo cusub. Naqshadahan ku guuleystay Abaalmarinta Birta ah ee A' Design Award wuxuu isku daraa hab-dhaqannada ugu wanaagsan warshadda wuxuuna leeyahay sifooyin farsamo oo karti leh oo ku xiran aqoon iyo hibo. Dhammaystirkeeda awgeed, Taj Jijin waa mudan ixtiraam, waxaana loo naqshadeeyay inay keento hagaajin nololeed oo ka caawisa in adduunka laga dhigo meel ka wanaagsan.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: A unique 3D design artwork with mesmerizing properties, the Taj gold bracelet showcases a basic geometric pattern that unfurls to reveal an exquisite 3D lace. This design encourages women to embrace their boldness and let their inner personality shine. With this piece of jewelry, you carry with you the memory of a universal heritage captured by a jewel that challenges traditional codes of oriental jewelry with its innovative design.
Cabbirka & Qaabaynta: The dimensions for the small size (S) of the bracelet are Width 75mm x Depth 8mm x Height 6mm. The bracelet can be customized and made-to-order according to your preferences.
Summado: 3D printing, jewellery, bracelet, gold, islamic pattern, design
Tiknoloojiyada Soo Saarka: This 3D lace jewelry was designed using jewelry software, and then 3D printed in wax and cast in 18K yellow gold. It can also be crafted in 18K white or rose gold
Caqabadda Naqshadda: The process involves designing complex 3D patterns and pushing the design to its technical limits in order to create delicate pieces that can be 3D printed in wax.
Cilmi-baadhis: Lines and curves come together to create the intricate patterns and subtle harmonies of Moucharabieh jewelry. Drawing inspiration from the rich architecture and cultural history of creative lands, these designs break free from boundaries to reveal unique intertwining patterns. Each design is influenced by Islamic geometric art found in ancient and contemporary architecture, encapsulating a timeless heritage to create high-end costume jewelry.
Dhiirrigelinta: Drawing inspiration from Indian aesthetics, this 3D lace design encapsulates the opulence of floral patterns and pendants found in Indian jewelry. The design features an Islamic geometric pattern created by intersecting four flat circles at the base of the jewel, which then unfurls into an intricate three-dimensional lace with floral motifs, evoking a sense of airiness and elegance.
Muddada Mashruuca: The project started in Lille (France) and finished in 2019.
Socodka Hawlgalka: Redefining Oriental jewelry goes beyond its conventional boundaries to explore new possibilities in aesthetics and inspiration. Embracing modern technologies as an integral part of my design process, I push the limits of creativity to offer intricate, captivating, and timeless patterns that are in tune with the times. This reinterpretation of Oriental jewelry reflects a contemporary approach that combines technical innovation with artistic expression.
Amaanta Sawirrada: Fatima Dahmani