Nippon Shinyaku Koku Booska Xafiisku oo uu sameeyey Reiichi Ikeda

Naqshadda Nippon Shinyaku Koku Booska Xafiisku oo uu sameeyey Reiichi Ikeda waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qolalka Gudaha iyo Bandhigyada ee 2023 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasGudaha· 2023

Nippon Shinyaku Koku Booska Xafiisku

Reiichi Ikeda uu sameeyay

Macmiilka: Nippon Shinyaku Koku

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Gudaha

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #145492

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Nippon Shinyaku Koku Booska Xafiisku

Nashqadayaashu waxay nashqeeyeen booska ciwaanka bilaashka ah ee gudaha xarunta Nippon Shinyaku, shirkad dawooyin ah oo xarunteedu tahay Kyoto Prefecture. Waxaa loo qorsheeyay gees ka mid ah goob aad u ballaaran oo u dhow saldhigga Nishioji, halkaas oo dhismayaal xafiisyo dhowr ah ay is garab taagan yihiin. Si loo xuso sannad-guuradii 100-aad ee aasaaska shirkadda, mashruucu wuxuu bilaabmay dabayaaqadii 2019. Si kastaba ha ahaatee, waxay ahayd in si ku meel gaar ah loo joojiyo faafitaanka coronavirus-ka cusub ee aan horay loo arag. Ugu dambayntii waxaa la dhameeyay xagaaga 2021.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

Nippon Shinyaku Koku Booska Xafiisku waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. Nippon Shinyaku Koku Booska Xafiisku waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. Nippon Shinyaku Koku Booska Xafiisku si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: We designed the free address space inside the headquarters of Nippon Shinyaku, a pharmaceutical company headquartered in Kyoto Prefecture.

It was planned for a corner of a vast site near Nishioji station, where several office buildings stand side by side.
To commemorate the 100th anniversary of the company’s founding, the project began in late 2019. However, it had to be stopped temporarily due to the unprecedented spread of the novel coronavirus. It was finally completed in the summer of 2021.
Cabbirka & Qaabaynta: Area：369.8 square meters
Summado: office, interior, japan, kyoto
Tiknoloojiyada Soo Saarka: Main finishing material
Floor: mortar base with magnetic tiles, mortar metal trowel holder
Walls: PB groundwork AEP, round pillars/mortar metal trowel holder, wall frame/ST assembly baking paint, curtain/lace fabric crease processing
Ceiling: Existing slab base AEP
Fixtures: Big table/legs/magashiro wood dyed finish, top plate/melamine veneer pasted (K-6305/Aica Kogyo), counter/exposed concrete finish
Lighting equipment: Brass custom-made pendant lighting (vao place)
Caqabadda Naqshadda: While capturing the background of Kyoto, we aimed to create a place that is conscious of connecting the left behind interior to the outside, from the environmental conditions that the building does not face the public road as in the past.
Cilmi-baadhis: 1.By inserting the same tiles as the outdoor tiles into the interior, the boundary points between the inside and outside are controlled by the design.
2. Based on the traditional Japanese concept of "continued room", we scattered frames that traced the outline of the fusuma.
3. Since all the buildings on the premises are reddish brown, the interior is also affected and the process of dyeing everywhere is expressed.
Dhiirrigelinta: Incorporating the idea of “tuzukima” in Japanese architecture, the steel frames that trace the outline of the fusuma are scattered along the span of the frame beam. It is not just a wall that seeks a function, but an open space that controls consciousness and aims to be "something that gently forms individual areas". I want you to spend your time in a place that fits you.
Muddada Mashruuca: Construction began in Kyoto on April 13, 2021 and was completed on July 27, 2021.
Socodka Hawlgalka: First, we increased the boundary between the inside and outside by incorporating diagonal lines ub the form of a V-shape for the glass walls, which previously ran parallel. Then, we made the boundary area between the inside and outside ambiguous by taking the floor tiles, which had originally been designed for an outside environment, and allowing them to overflow into the inside space, even biting into the V-shaped glass walls.

What’s more, the process of repeated expansion throughout the company’s long history turned the exterior of the building a reddish-brown. This view of the site and its colors express the ongoing process in this change in color, as though it is changing the building’s interior as well.

In order to categorize the scene, we incorporated the idea of the “tsuzukiai” present in the sukiya style of building. Thus, steel frames that trace the outlines of the fusuma (Japanese paper sliding doors) are scattered along the span of the skeleton beams. As such, these walls are not just function, like ensuring privacy or sound insulation. Rather, they aim to create an open space while controlling the consciousness of lookers on to emphasize the gentle form of the individual areas.

It is perfect for spending your time as you see fit.
Xubnaha Kooxda: design/REIICHI IKEDA DESIGN Reiichi Ikeda
partner/Aji Architects Tomoko Nagahiro
lighting/Modulex Jun Ikeda
bgm/Espec Junji Ozono
curtain/fabricscape Kiyohiko Yamamoto
green/Bond Satoshi Tanii
art/Tokuhiro Kano
funiture/inter office Akio Hayashi
custom lighting/vaoplace Hirohumi Oba
interactive Satoshi Kamewaka
sign/kantaro Midori Hirota
Constructor/Kanazawa Contruction Hideki Kanazawa
Photographer/Yoshiro Masuda
Photographer：Yoshiro Masuda
Amaanta Sawirrada: Photographer：Yoshiro Masuda