Oita Soho Makhaayad Jaabaaniska Casriga ah oo uu sameeyey Mika Kanayama

Naqshadda Oita Soho Makhaayad Jaabaaniska Casriga ah oo uu sameeyey Mika Kanayama waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qolalka Gudaha iyo Bandhigyada ee 2024 Abaalmarinta Lacagta ah ee A' Design Award.

LacagGudaha· 2024

Oita Soho Makhaayad Jaabaaniska Casriga ah

Mika Kanayama uu sameeyay

Macmiilka: Muzo

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Gudaha

24,153

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #151700

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Oita Soho Makhaayad Jaabaaniska Casriga ah

Oita Soho waxaa loo qorsheeyay in lagu abuuro meel qani ah oo nasasho leh oo leh saameyn Jaabaaniska ah, ayna wato qayb ka mid ah aqoonsiga lagu dhisay makhaayadii hore ee Oita, taas oo ahayd mid aan rasmi ahayn oo cagaaran ah oo dhir ka buuxdo gudaha oo dhan. Goobtu waxay u baahatay in ka badan habab caadiga ah ee naqshadeynta casriga ah ee Jaabaaniska oo fudud si ay u bixiso khibrad gaar ah oo cajiib ah oo ah isku-dhafka walxaha quruxda iyo dhaqanka. Shaqadu waxay dhiirigelin ka heshay qoraalka Tanizaki ee "In Praise of Shadows" kaas oo ka hadlaya isticmaalka, macnaha iyo quruxda mugdiga iyo hadhka farshaxanka, naqshadaha iyo dhismaha Jaabaaniska.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Oita Soho Makhaayad Jaabaaniska Casriga ah waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Oita Soho Makhaayad Jaabaaniska Casriga ah waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Oita Soho Makhaayad Jaabaaniska Casriga ah waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.

The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Cabbirka & Qaabaynta: The area of project is
Ground Floor - 67sqm
First Floor - 69sqm
Summado: Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
Tiknoloojiyada Soo Saarka: Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout.
Caqabadda Naqshadda: As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
Cilmi-baadhis: The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
Dhiirrigelinta: The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
Muddada Mashruuca: The project was completed in January 2023 in London.
Socodka Hawlgalka: Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space.
Shatiyada: Copyrights belong to Muzo, 2023
Amaanta Sawirrada: Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert