Pinnannousu Bandhigga Farshaxanka Barafka Robotka oo uu sameeyey Jussi Angesleva

Naqshadda Pinnannousu Bandhigga Farshaxanka Barafka Robotka oo uu sameeyey Jussi Angesleva waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Rakibaadda ee 2024 Abaalmarinta Dahabka ah ee A' Design Award.

DahabRakibaad· 2024

Pinnannousu Bandhigga Farshaxanka Barafka Robotka

Jussi Angesleva uu sameeyay

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Rakibaad

194,655

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #158890

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Pinnannousu Bandhigga Farshaxanka Barafka Robotka

Bandhig farshaxan si tartiib ah u dhalaalaya, halkaas oo robot warshadeed xardho cutub weyn oo baraf ah una beddesho muruq xisaabeed oo ka leexiya iftiin-diirada una muujiya sawirro derbiga ku yaal, kuwaas oo qoraya laba heer Celsius oo dheeraad ah, digniin cabsi leh oo ku saabsan kororka heerkulka caalamiga ah. Farshaxanku wuxuu isku daraa rajeynta tignoolajiyada sare iyo caqabadaha aan waarta lahayn ee caalami ah oo aan xad lahayn. Faragelintuna waxay kaliya dedejisaa hannaanka.

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

Pinnannousu Bandhigga Farshaxanka Barafka Robotka waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. Pinnannousu Bandhigga Farshaxanka Barafka Robotka waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Pinnannousu Bandhigga Farshaxanka Barafka Robotka waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
Cabbirka & Qaabaynta: Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display.
Summado: performance, computational design, robotics, new media, caustics, sculpture
Tiknoloojiyada Soo Saarka: An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
Caqabadda Naqshadda: Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
Cilmi-baadhis: Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
Dhiirrigelinta: I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
Muddada Mashruuca: The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
Socodka Hawlgalka: The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
Shatiyada: Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Amaanta Sawirrada: IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,

PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton