Cadence of the Spiral Hawsha Aasaasiga ah: Rakibaadda Dhaqdhaqaaqa oo uu sameeyey Yusuke Kamiyama

Naqshadda Cadence of the Spiral Hawsha Aasaasiga ah: Rakibaadda Dhaqdhaqaaqa oo uu sameeyey Yusuke Kamiyama waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Farshaxanka Wanaagsan iyo Rakibaadda Farshaxanka ee 2026 Abaalmarinta Lacagta ah ee A' Design Award.

LacagFarshaxan· 2026

Cadence of the Spiral Hawsha Aasaasiga ah: Rakibaadda Dhaqdhaqaaqa

Yusuke Kamiyama uu sameeyay

Macmiilka: Spline Design Hub Inc.

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Farshaxan

20,405

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #182460

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Cadence of the Spiral Hawsha Aasaasiga ah: Rakibaadda Dhaqdhaqaaqa

Qoraalka Buugga: Cadence of the Spiral wuxuu sahmiyaa waqtiga sida wax dabacsan, xiriir leh, oo nool. Xardho biraha ah ee birta birta cadaadiska ah waxaa loo qaabeeyay qaab si joogto ah u kobcaya iyada oo loo marayo soddon gacmood oo makaanik ah. Gacmuhu waxay ku dhaqaaqaan dabeecado yaryar, oo wajiyada ka beddelan. Markay isku-wareegtu neefsato, isku-marurato, oo dib u habayso naftarteeda, laba daqiiqo oo kala mid ah marnaba ma jiraan. Shaqada waxaa dhiirrigeliyay isku-wareegga ugu weyn ee saacadda makaanikada ah. Waxay dib u tarjumaysaa birta isku-duuban sida weel kaydiya tamarta iyo socodka waqtiga. Dhaqdhaqaaqa lama soo celiyo. Taa beddelkeeda, isbeddelka waxaa lagu muujiyaa kala duwanaansho la xakameeyay. Waqtiga lama cabbiro, balse waa la dareemaa.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Cadence of the Spiral Hawsha Aasaasiga ah: Rakibaadda Dhaqdhaqaaqa waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Cadence of the Spiral Hawsha Aasaasiga ah: Rakibaadda Dhaqdhaqaaqa waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Cadence of the Spiral Hawsha Aasaasiga ah: Rakibaadda Dhaqdhaqaaqa waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Cabbirka & Qaabaynta: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Summado: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Tiknoloojiyada Soo Saarka: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Caqabadda Naqshadda: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Cilmi-baadhis: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Dhiirrigelinta: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Muddada Mashruuca: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Socodka Hawlgalka: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Shatiyada: Copyrights belong to Spline Design Hub Inc., 2025.
Xubnaha Kooxda: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Amaanta Sawirrada: IMAGE CREDITS: Daisuke Ohki