Ataraxia Ururinta Dahabku oo uu sameeyey Yilan Liu

Naqshadda Ataraxia Ururinta Dahabku oo uu sameeyey Yilan Liu waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Dahabka iyo Xardhanka ee 2020 Abaalmarinta Dahabka ah ee A' Design Award.

DahabDahab· 2020

Ataraxia Ururinta Dahabku

Yilan Liu uu sameeyay

Macmiilka: Yilan Jewelry

Ku Guuleystaha Abaalmarinta Dahabka ah ee A' Design Award ee Qaybta Dahab

89,952

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #90013

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Ataraxia Ururinta Dahabku

Isku-darka moodada iyo tikniyoolajiyadda horumarsan, mashruucu wuxuu higsanayaa inuu abuuro qaybo gogo 'dahab ah oo ka dhigi kara waxyaabihii hore ee Gotiy-ga qaab cusub, kana wada hadla suuragalka dhaqan ahaan duruufaha casriga ah. Iyada oo ay xiiseyneyso sida Gothic u dhaqdhaqaaqeyso dhageystayaasha, mashruucu wuxuu isku dayayaa inuu ka xanaajiyo waaya-aragnimada shaqsiyeed ee gaarka ah iyada oo loo marayo is-dhexgal ciyaar, iyada oo sahamineysa xiriirka ka dhexeeya naqshadeynta iyo kuwa xirta. Gemstones silica, sida shey yar oo loo yaqaan 'eco-imprint', ayaa loo jaray dhul si aan caadi ahayn loo dhigay si ay midabkooda ugu tuuraan maqaarka si kor loogu qaado is dhexgalka.

Aqoonsiga

Wax ku saabsan Abaalmarinta Dahabka ah ee A' Design Award

Ataraxia Ururinta Dahabku waa guuleystaha Abaalmarinta Dahabka ah ee A' Design Award, aqoonsi sharaf aad u weyn oo la siiyo naqshado heerka koowaad ah, cajiib ah oo aan caadi ahayn. Guuleystayaasha Dahabka waa hal-abuurro cusub oo aad u badan, aragti fog leh oo si indho-qabsi ah u dhalaalaya, kuwaas oo ka tarjumaya caqli, xikmad iyo xirfadda naqshadeeyayaashooda. Ataraxia Ururinta Dahabku waa shaqo la filayo inay noqoto hal-abuur aad loo ammaano, dejisa isbeddello cusub oo weyn, keenta qiimo aan hore loo arag. Naqshadahan ku guuleystay Abaalmarinta Dahabka ah ee A' Design Award waa shaqo cajiib ah oo la ixtiraamo, waxtar weyn leh oo hormarisa xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Ataraxia Ururinta Dahabku waa shaqo abuurta dareenno xoog leh oo rabitaan ah, kicisa xiiso, dhiirigelisa hal-abuur una soo jiidata.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
Cabbirka & Qaabaynta: Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm
Summado: jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
Tiknoloojiyada Soo Saarka: The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
Caqabadda Naqshadda: The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
Cilmi-baadhis: The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
Dhiirrigelinta: The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
Muddada Mashruuca: The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
Socodka Hawlgalka: The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
Amaanta Sawirrada: #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019