The Japanese Forest Sawir oo uu sameeyey Masaru Eguchi

Naqshadda The Japanese Forest Sawir oo uu sameeyey Masaru Eguchi waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Sawir-qaadista iyo Wax-ka-beddelka Sawirrada ee 2020 Abaalmarinta Lacagta ah ee A' Design Award.

LacagSawir-qaadis· 2020

The Japanese Forest Sawir

Masaru Eguchi uu sameeyay

Macmiilka: Sunpono

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Sawir-qaadis

52,557

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #95058

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan The Japanese Forest Sawir

Kaymaha Jabbaan waxaa laga soo qaatay aragti diineed oo Jabaan ah. Mid ka mid ah diimaha hore ee reer Japan waa Animism. Cayayaantu waa aaminaad in abuur aan-aadane ahayn, wali nolosha (macdanaha, farshaxanka, iwm.) Iyo waxyaalaha aan la arki karin sidoo kale ay leeyihiin ujeedo. Sawir qaadistu waa tan oo kale. Masaru Eguchi wuxuu tooganayaa wax dareemaya maaddada. Geedaha, cawska iyo macdanta ayaa dareemaya doonista nolosha. Iyo xitaa farshaxanimada sida biyo-xireennada sida dabiiciga ah uga tegay dabiiciga muddo dheer waxay dareemaan doonista. Sida aad u aragto dabeecadda aan dhaqdhaqaaqa lahayn, mustaqbalka ayaa arki doona muuqaalka hadda jira.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

The Japanese Forest Sawir waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. The Japanese Forest Sawir waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. The Japanese Forest Sawir waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Cabbirka & Qaabaynta: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Summado: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Tiknoloojiyada Soo Saarka: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Caqabadda Naqshadda: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Cilmi-baadhis: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Dhiirrigelinta: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Muddada Mashruuca: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Socodka Hawlgalka: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Shatiyada: Copyright: Masaru Eguchi
Amaanta Sawirrada: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.