The Last Blooming Masela A Mangata ka Qixin Wu

Moralo oa The Last Blooming Masela A Mangata ka Qixin Wu ke mohlodi oa khau e hlomphehang haholo ya 2023 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Masela, Theksitjha, Dipaterone le Diaparo.

TšepeMasela· 2023

The Last Blooming Masela A Mangata

ka Qixin Wu

Moreki: EchoWu Design Studio

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Masela

37,954

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #108758

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le The Last Blooming Masela A Mangata

Ho utloisisa ntho e 'ngoe e utloahalang, ho fetola tlhaloso e bonahalang e rarahane hore e be tlhahlobo e bonolo ea kamano pakeng tsa ho qala le ho qetela, lipalesa tse shoeleng li fetoha boitsebiso bo ka sehloohong ho hlalosa ho thunya ho hlakileng. Li lula li thunya 'me li bontša botle ba ho qetela. Pheta-pheta e lumellanang le li-motif tse matla li fana ka sebopeho se hlakileng haholoanyane. Masela a mabeli a mahlakoreng a mabeli, ka holimo ke chiffon 'me ka morao ke k'hothone, a etsa hore ho fetohe ho sheba ha moea o fihla. Ponahalo e pepeneneng ea chiffon e kenya letsoho ho The Last Blooming e khahlehang le e makatsang.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

The Last Blooming Masela A Mangata ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. The Last Blooming Masela A Mangata e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, The Last Blooming Masela A Mangata e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Boholo le Phuthelo: High: 27 inches
Width: 45 inches
Lithegi: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Theknoloji ya Tlhahiso: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Phephetso ya Moralo: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Dipatlisiso: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Kgothaletso: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Nako ya Projeke: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Tsamaiso ya Mosebetsi: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Diphatente: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Litlotla tsa Setshwantsho: Qixin Wu