The Pitched Roof Ntlo ka Takaharu Tezuka and Yui Tezuka

Moralo oa The Pitched Roof Ntlo ka Takaharu Tezuka and Yui Tezuka ke mohlodi oa khau e hlomphehang haholo ya 2021 Moputso oa Silevera oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Meaho, Dikaho le Dibopego.

SileveraMeaho· 2021

The Pitched Roof Ntlo

ka Takaharu Tezuka and Yui Tezuka

Moreki: Tezuka Architects

Mohlodi oa Moputso oa Silevera oa A' Design Award Mokhahleong oa Meaho

20,495

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #117210

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le The Pitched Roof Ntlo

Pitched Roof ke ntlo e nang le mokato o le mong e Karuizawa, Japane, e koahetsoeng ke marulelo a bothata bo bonyenyane a sekhahla. Ke liperesente tse mashome a mane feela tsa sebaka se ka tlas'a marulelo se koahetsoeng, kahoo moeli o pakeng tsa ka hare le ka ntle o lula o le bonolo. Marulelo a leketlileng a fihla ho feta limithara tse tšeletseng ka sebopeho se nang le botenya ba limilimithara tse 200 feela. Bokaholimo bo mennweng, bo bopehileng joalo ka "L" bo sebetsa e le karolo ea monocoque 'me bo fokotsa litšehetso tse hlokahalang. Mamati a thellang a lumella baahi ho fetola sebopeho sa sebaka sa bophelo. Ntlo ena e hlalosa bocha maratho a tebileng a meaho ea setso ea Japane.

Kamohelo

Mabapi le Moputso oa Silevera oa A' Design Award

The Pitched Roof Ntlo ke mohapi oa Moputso oa Silevera oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e phahameng ka ho fetesisa, e ntle le e tsosang maikutlo. Bahapi ba Silevera ke mesebetsi e khanyang haholo le e nang le boqapi bo ikhethang e bontšang botsebi, talenta le bohlale ba baqapi ba eona. The Pitched Roof Ntlo e lebelletsoe ho ba mosebetsi o motle, oa mohlala, o nang le boprofeshenale bo bonahalang le mehopolo e mecha e tebileng. Moralo ona o hapileng Moputso oa Silevera oa A' Design Award ke mohopolo o hlokomelehang haholo le o ratoang o tlisang molemo mme o sutumelletsang meeli ea bonono, mahlale, moralo le theknoloji. The Pitched Roof Ntlo ke mosebetsi oo batho ba bangata ba o lakatsang, o tsosang litakatso, o tlisang maikutlo a matle le o tsosetsang ho makala le ho hlolla.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Boholo le Phuthelo: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Lithegi: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Theknoloji ya Tlhahiso: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Phephetso ya Moralo: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Dipatlisiso: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Kgothaletso: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Nako ya Projeke: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Tsamaiso ya Mosebetsi: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Litho tsa Sehlopha: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Litlotla tsa Setshwantsho: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.