Moralo oa White Forest Mosebetsi wa Mantlha: Moralo wa Kahare ho Ntlo ya Bodulo ka Po Chuan Kao ke mohlodi oa khau e hlomphehang haholo ya 2022 Moputso oa Boronse oa A' Design Award Mokhahleong oa Tlhodisano oa Moralo wa Sebaka sa Ka Hare le Dipontsho.
BoronseKa Hare· 2022
White Forest Mosebetsi wa Mantlha: Moralo wa Kahare ho Ntlo ya Bodulo
ka Po Chuan Kao
Moreki: ACG Design International
Mohlodi oa Moputso oa Boronse oa A' Design Award Mokhahleong oa Ka Hare
Mohlodi oa Khau ea Netefaditsweng
Netefatsa Boemo ba Khau bakeng sa #127343Moralo
Mabapi le White Forest Mosebetsi wa Mantlha: Moralo wa Kahare ho Ntlo ya Bodulo
Mongolo wa Buka: White Forest ke moralo wa kahare ho ntlo ya bodulo bakeng sa ntlo e ka bang li-ping tse 42 Taichung. Moralo o kenyelletsa monyako wa ho kena, kichine, kamore ya ho jella, kamore ya ho phomola le kamore ya ho ithuta, hammoho le kamore e kholo ya ho robala le kamore ya ho hlapela, le kamore ya bobeli ya ho robala le kamore ya ho hlapela. Marako a neng a sa hlokahale a ile a tlosoa ho lokisa moralo wa pele o neng o sa lokisitsoe hantle ebile o arotswe ka tsela e boima. Terazzo e putsoa monyakong wa ho kena e hokahanya kichine le kamore ya ho jella. Marbole, diipone, dithaele tsa khalase le lehong le tiileng le pentiloeng li hopotsa majoe, mesima ya metsi le lipalesa, ha mola tsa khanya tsa aluminiamo li fana ka khanya e bonolo e sa tobang.
Kamohelo
Mabapi le Moputso oa Boronse oa A' Design Award
White Forest Mosebetsi wa Mantlha: Moralo wa Kahare ho Ntlo ya Bodulo ke mohapi oa Moputso oa Boronse oa A' Design Award, kananelo e hlomphehang haholo e fuoang meralo e ikhethang e tsejoang ka boqapi, bohlale ba ho qapa le bohlale. Bahapi ba Boronse ke lintho tse nang le bokhoni ka ho felletseng le boqapi bo hlollang tse tiisang boiphihlelo bo bongata, mohopolo le bokhoni ba ho iphumana ba baqapi ba tsona. White Forest Mosebetsi wa Mantlha: Moralo wa Kahare ho Ntlo ya Bodulo e lebelletsoe ho ba ntho e hlomphuoang haholo, e ratoang le e ratehang, e nang le boprofeshenale bo bonahalang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Boronse oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa bonong, mahlaleng, moralong le theknolojing mme o hlahella ka ho tsepamisa maikutlo lintlheng tse nyenyane. White Forest Mosebetsi wa Mantlha: Moralo wa Kahare ho Ntlo ya Bodulo e kutloisisa litlhoko hantle, e ama litakatso, e hapa maikutlo mme e tsosa takatso ea ho tseba.
Ka Mora Moralo
Sete ya Boraditaba
Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.
- Boleng bo Ikhethang
- After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
- Boholo le Phuthelo
- The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
- Lithegi
- flowers blooming, relaxing, silence and pure, pink
- Theknoloji ya Tlhahiso
- Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
- Phephetso ya Moralo
- To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
- Dipatlisiso
- To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
- Kgothaletso
- The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
- Nako ya Projeke
- The project finished in Jun 2021 in Taichung.
- Tsamaiso ya Mosebetsi
- Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
- Litho tsa Sehlopha
- PO-CHUAN KAO
- Litlotla tsa Setshwantsho
- ACG Design International
E Tshehelitsweng
Hlahloba ka Ntle ho Designers.org
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